The BBC presents Elizabeth Gaskell's timeless tale of romance in 19th-century England. WIVES AND DAUGHTERS is the humorous and often heart-wrenching story of two single women, one... more
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little, the BBC and screenwriter Andrew Davies looked elsewhere for material of comparable quality. Wives and Daughters by Mrs (Elizabeth) Gaskell is set around 1860 an...
little, the BBC and screenwriter Andrew Davies looked elsewhere for material of comparable quality. Wives and Daughters by Mrs (Elizabeth) Gaskell is set around 1860 an...
little, the BBC and screenwriter Andrew Davies looked elsewhere for material of comparable quality. Wives and Daughters by Mrs (Elizabeth) Gaskell is set around 1860 and tells the story of 17-year-old Molly (Justine Waddell), beloved daughter of the widowed Dr Gibson (Bill Paterson). A mercenary stepmother (Francesca Annis) and inconstant stepsister (Keeley Hawes) bring refined havoc to genteel country life, with complications ensuing when both young women fall in love with the youngest son of Squire Hamley (Michael Gambon). This is a wonderfully observed insight into Victorian village life, encompassing comedy, romance and high emotion in a four-episode, five-hour adaptation. Making the most of Davies' subtle and detailed screenplay, there are great, flamboyant performances by Michael Gambon and Francesca Annis. Keeley Hawes, Barbara Flynn and Ian Glen are excellent too, but the revelation is the beguiling central performance by Justine Waddell, also the star of Great Expectations (1999). The photography and production design are gorgeous, as is John Keane's music. Wives and Daughters is as compelling and entertaining as any Jane Austen, and possibly Andrew Davies' best literary adaptation to-date. --Gary S. Dalkin
Wives and Daughters
Wives and Daughters is set in the mid-19th century in the small village of Hollingford, in
... more
rural England. The Industrial Revolution hasn't yet thrown the country into turmoil, and the railway is just beginning to cut a swathe through the land. It sounds old-fashioned, (and there are themes in the novel which date it) but Gaskell's witty, warm tale of love and longing is surprisingly contemporary. Much of the fun in Wives And Daughters comes from Gaskell's sprightly characterisation, and willful insistence on the unconventional hero and heroine, both worthy, principled, and a little tedious. Molly Gibson, the doctor's daughter, is intelligent, spiritedly dutiful and given to much silent endurance. The object of her affections is Squire Hamley's younger son "Good Roger! Kind Roger! Dear Roger!", a sort of duller Darwin. The course of true love doesn't run smooth, thanks in the main, to the scintillating Cynthia, Molly's step sister. Cynthia is a glorious creation, willful, sinful and incredibly attractive, who, with her French education, strolls through the novel with "the free stately step of some wild animal of the forest"--moving almost, as it were, to the continual sound of music. Cynthia's mother, the epitome of snobbery and self-deceit, whose "words were ready-made clothes, and never fitted individual thoughts" adds to the piquant entertainment. The novel revolves around the trails and tribulations, the questionable reputations of the inhabitants of Hollingford. It was Gaskell's last and most mature work, powerful and engrossing in structure and unfinished. As her daughter reported, in January 1866, Elizabeth Gaskell died: "quite suddenly, without a moments warning, in the midst of a sentence" leaving the last chapter incomplete. Wives and Daughters is just a few pages short of an all embracing happy ending.--Eithne Farry
little, the BBC and screenwriter Andrew Davies looked elsewhere for material of comparable quality. Wives and Daughters by Mrs (Elizabeth) Gaskell is set around 1860 and tells the story of 17-year-old Molly (Justine Waddell), beloved daughter of the widowed Dr Gibson (Bill Paterson). A mercenary stepmother (Francesca Annis) and inconstant stepsister (Keeley Hawes) bring refined havoc to genteel country life, with complications ensuing when both young women fall in love with the youngest son of Squire Hamley (Michael Gambon). This is a wonderfully observed insight into Victorian village life, encompassing comedy, romance and high emotion in a four-episode, five-hour adaptation. Making the most of Davies' subtle and detailed screenplay, there are great, flamboyant performances by Michael Gambon and Francesca Annis. Keeley Hawes, Barbara Flynn and Ian Glen are excellent too, but the revelation is the beguiling central performance by Justine Waddell, also the star of Great Expectations (1999). The photography and production design are gorgeous, as is John Keane's music. Wives and Daughters is as compelling and entertaining as any Jane Austen, and possibly Andrew Davies' best literary adaptation to-date. --Gary S. Dalkin
rural England. The Industrial Revolution hasn't yet thrown the country into turmoil, and the railway is just beginning to cut a swathe through the land. It sounds old-fashioned, (and there are themes in the novel which date it) but Gaskell's witty, warm tale of love and longing is surprisingly contemporary. Much of the fun in Wives And Daughters comes from Gaskell's sprightly characterisation, and willful insistence on the unconventional hero and heroine, both worthy, principled, and a little tedious. Molly Gibson, the doctor's daughter, is intelligent, spiritedly dutiful and given to much silent endurance. The object of her affections is Squire Hamley's younger son "Good Roger! Kind Roger! Dear Roger!", a sort of duller Darwin. The course of true love doesn't run smooth, thanks in the main, to the scintillating Cynthia, Molly's step sister. Cynthia is a glorious creation, willful, sinful and incredibly attractive, who, with her French education, strolls through the novel with "the free stately step of some wild animal of the forest"--moving almost, as it were, to the continual sound of music. Cynthia's mother, the epitome of snobbery and self-deceit, whose "words were ready-made clothes, and never fitted individual thoughts" adds to the piquant entertainment. The novel revolves around the trails and tribulations, the questionable reputations of the inhabitants of Hollingford. It was Gaskell's last and most mature work, powerful and engrossing in structure and unfinished. As her daughter reported, in January 1866, Elizabeth Gaskell died: "quite suddenly, without a moments warning, in the midst of a sentence" leaving the last chapter incomplete. Wives and Daughters is just a few pages short of an all embracing happy ending.--Eithne Farry
rural England. The Industrial Revolution hasn't yet thrown the country into turmoil, and the railway is just beginning to cut a swathe through the land. It sounds old-fashioned, (and there are themes in the novel which date it) but Gaskell's witty, warm tale of love and longing is surprisingly contemporary. Much of the fun in Wives And Daughters comes from Gaskell's sprightly characterisation, and willful insistence on the unconventional hero and heroine, both worthy, principled, and a little tedious. Molly Gibson, the doctor's daughter, is intelligent, spiritedly dutiful and given to much silent endurance. The object of her affections is Squire Hamley's younger son "Good Roger! Kind Roger! Dear Roger!", a sort of duller Darwin. The course of true love doesn't run smooth, thanks in the main, to the scintillating Cynthia, Molly's step sister. Cynthia is a glorious creation, willful, sinful and incredibly attractive, who, with her French education, strolls through the novel with "the free stately step of some wild animal of the forest"--moving almost, as it were, to the continual sound of music. Cynthia's mother, the epitome of snobbery and self-deceit, whose "words were ready-made clothes, and never fitted individual thoughts" adds to the piquant entertainment. The novel revolves around the trails and tribulations, the questionable reputations of the inhabitants of Hollingford. It was Gaskell's last and most mature work, powerful and engrossing in structure and unfinished. As her daughter reported, in January 1866, Elizabeth Gaskell died: "quite suddenly, without a moments warning, in the midst of a sentence" leaving the last chapter incomplete. Wives and Daughters is just a few pages short of an all embracing happy ending.--Eithne Farry
rural England. The Industrial Revolution hasn't yet thrown the country into turmoil, and the railway is just beginning to cut a swathe through the land. It sounds old-fashioned, (and there are themes in the novel which date it) but Gaskell's witty, warm tale of love and longing is surprisingly contemporary. Much of the fun in Wives And Daughters comes from Gaskell's sprightly characterisation, and willful insistence on the unconventional hero and heroine, both worthy, principled, and a little tedious. Molly Gibson, the doctor's daughter, is intelligent, spiritedly dutiful and given to much silent endurance. The object of her affections is Squire Hamley's younger son "Good Roger! Kind Roger! Dear Roger!", a sort of duller Darwin. The course of true love doesn't run smooth, thanks in the main, to the scintillating Cynthia, Molly's step sister. Cynthia is a glorious creation, willful, sinful and incredibly attractive, who, with her French education, strolls through the novel with "the free stately step of some wild animal of the forest"--moving almost, as it were, to the continual sound of music. Cynthia's mother, the epitome of snobbery and self-deceit, whose "words were ready-made clothes, and never fitted individual thoughts" adds to the piquant entertainment. The novel revolves around the trails and tribulations, the questionable reputations of the inhabitants of Hollingford. It was Gaskell's last and most mature work, powerful and engrossing in structure and unfinished. As her daughter reported, in January 1866, Elizabeth Gaskell died: "quite suddenly, without a moments warning, in the midst of a sentence" leaving the last chapter incomplete. Wives and Daughters is just a few pages short of an all embracing happy ending.--Eithne Farry
Advantages: Beautiful scenery, casting and costume Disadvantages: None that I can see
Elizabeth Gaskell's novel, 'Wives and Daughters', is a powerful story of love, friendship and family, in which the heroine, Molly Gibson, has to cope with the remarriage of her beloved father to a woman who cares for more status than anything else, and the introduction of her new beautiful stepsister Cynthia.
Against all odds, including Cynthia's instant overshadowing of the gentle Molly, Molly and Cynthia form a bond. However, their relationship ... ...Roger Hamley, the local squire's son. Just as Cynthia seems to be winning, it is revealed that she is not all that she seems...
The BBC dramatisation of the novel is beautiful; from hair and make up to scenery and direction. It boasts fine performances from the likes of Francesca Annis as Mrs Gibson, Michael Gambon as Squire Hamley, Bill Paterson as Mr Gibson, Keeley Hawes as the beautiful but flighty Cynthia - and, of course, Justine Waddell as ...
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Actor(s): Francesca Annis, Ian Carmichael, Michael Gambon, Bill Paterson, Penelope Wilton, Barbara Flynn, Iain Glen, Justine Waddell
Director(s): Nicholas Renton
Genre: Drama - Period
Classification: Universal
Production Year: 1999
Running Time: 5 hours 1 minute
Video Category: Television
Plot: The novel by Elizabeth Gaskell which tells the story of Molly Gibson, the daughter of a small town doctor, and her life after her father remarries... Molly and her new stepsister become close friends until they become love rivals...
Release details
DVD Region: Region 0 (All Regions)
Studio(s): 2 ENTERTAIN VIDEO; SONY DADC
Release date: 20/08/2001
No of Discs: 2
Catalogue No: BBCDVD 1079
Barcode: 5014503107925
DVD Description
The BBC presents Elizabeth Gaskell's timeless tale of romance in 19th-century England. WIVES AND DAUGHTERS is the humorous and often heart-wrenching story of two single women, one sweet and one sexy, searching for love and finding nothing but trouble when the man destined for one falls for her sultry best friend instead. Return to a time when such events were the talk of the town and nothing but scandal. The production features an excellent cast that includes Justine Waddell, Keely Hawes, Bill Paterson, Francesca Annis, Michael Gambon, and Ian Carmichael.
Languages
Main Language: English
Subtitle Language: Dutch
Hearing Impaired Language: English
Technical information
Special Features: Documentary, The Making Of, Music Edit
Aspect Ratio: 16:9 Wide Screen
Sound: Dolby Digital Stereo
Dubbing Sound: Dolby Digital Stereo English
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