As Bands-In-Crisis documentaries go, Sam Jones' 2002 film focusing on Wilco at the most turbulent and creatively-fertile period in their career thus far is much closer to Micahel Lindsey-Hogg's 1970 Let It Be than, for example, Berlinger & Sinofsky's 2004 Some Kind Of Monster. Like the Beatles' ... Read review
In the autumn of 2000 Wilco entered the studio to record a highly anticipated fourth ... more
album. How was it that merely one year later that with completed record in hand the band found itself rejected by its corporate label and missing two of its members...
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In the fall of 2000, Wilco entered the studio to record their highly anticipated fourth ... more
album...Building on three critically acclaimed records and a reputation for phenomenal live shows, the band seemed poised to cement its reputation as one of the gre...
Building on three critically acclaimed records and a reputation for phenomenal live shows, ... more
the band seemed posed to cement its reputation as one of the great American rock groups. So how was it that one year later, with completed record in hand, the band found itself rejected by its record label and missing two of its original members?First-time filmmaker and award-winning photographer Sam Jones was on hand, chronicling this turbulent chapter in Wilco's history as it unfolded. Filled with inspired live performances, rehearsals, recording sessions and behind-the-scenes drama. I Am Trying To Break Your Heart is a now-legendary portrait of a band making the best music of its career.
Production Year: 1992 - Music / Performing Arts - Original Language: English - Classification: Exempt - Starring: Brian May, Roger Taylor, John Deacon, David Bowie, Def Leppard, Extreme, Elton John, Bob Geldof
Production Year: 1999 - Music / Performing Arts - Original Language: English - Classification: Exempt - Starring: Donny Osmond, Joan Collins, Richard Attenborough
Advantages: Beautifully made document of beautiful-art-in-the-making. Disadvantages: Maybe a bit much for non-fans.
...Jones' 2002 film focusing on Wilco at the most turbulent and creatively-fertile period in their career thus far is much closer to Micahel Lindsey-Hogg's 1970 Let It Be than, for example, Berlinger & Sinofsky's 2004 Some Kind Of Monster. Like the Beatles' picture, it is an essential, stunningly-made film but one that, in contrast to the insanely-entertaining Metallica feature, is unlikely to work for anyone uninterested in the band under consideration. ... ...hour-after-hour-after-hour.
Instead, Wilco set upon their own songs with maniacal zeal, pulling each asunder, settling none for a predictable verse-chorus-verse where a chorus-verse-verse from another track -chorus from songs yet to be written can be threaded together instead. Awe-inspiringly short-sighted, the record company balked at what the band had produced, preferring to cut their losses and drop both artist and record than follow ... more
As Bands-In-Crisis documentaries go, Sam Jones' 2002 film focusing on Wilco at the most turbulent and creatively-fertile period in their career thus far is much closer to Micahel Lindsey-Hogg's 1970 Let It Be than, for example, Berlinger & Sinofsky's 2004 Some Kind Of Monster. Like the Beatles' picture, it is an essential, stunningly-made film but one that, in contrast to the insanely-entertaining Metallica feature, is unlikely to work for anyone uninterested in the band under consideration. If one does find oneself drawn to Jeff Tweedy and Co.'s blinding, genre-shredding prog-Americana, though (and really - why wouldn't you?), then I Am Trying To Break Your Heart is as engrossing a couple hours as can be found outside of, say, a couple spins of Yankee Hotel Foxtrot, the making of which provides the core of the film.
The picture begins just prior to the recording sessions for what would become Wilco's finest album by far, the album that all and sundry expected to break them to an audience outside of their swelling-but-still-fairly-exclusive cult following. The album that would establish them as Major Players commercially, in other words. That would have them filling stadiums and spilling from every FM radio station hour-after-hour-after-hour.
Instead, Wilco set upon their own songs with maniacal zeal, pulling each asunder, settling none for a predictable verse-chorus-verse where a chorus-verse-verse from another track -chorus from songs yet to be written can be threaded together instead. Awe-inspiringly short-sighted, the record company balked at what the band had produced, preferring to cut their losses and drop both artist and record than follow them any further down the increasingly obtuse, obscure alleyways they seemed hell-bent on exploring.
By now, everyone knows what happened next. The album soared to the heights of most every Record Of The Year list and proved Wilco's crowning achievement, whilst the record company looked like ridiculous cretins who knew no more about music than a hat knows of gardening. It is a very modern tale concerning a stirring, intense, heartfelt, post-modern piece of art and the challenges presented to anyone who might try to fashion such a thing in such a commercial, market-driven entertainment industry.
Shot in gorgeous monochrome, Jones' film serves both band and album beautifully. Every notable moment in the record's construction is given the time and respect it deserves - each studio-discussion of import, each migrane-induced vomit, each baffled laugh and shake of the head as the record's release begins to look ever more unlikely.
The 2-disc edition houses an array of excellent, worthwhile extras, including a great commentary from band and filmmaker, a making of documentary and a selection of extraordinary live performances. For fans it is absolutely a must-have. For anyone interested in the state of the music industry at this moment in history and wondering how it could've gotten in such a condition, it is enlightening if, ultimately, deeply depressing. For everyone else - maybe it's best to start with that astonishing album. You'll be looking for this soon after.
A documentary produced in 2000, which chronicles a period of change in the band's fortunes as they lose their record label and two original band members. Disc two features seventeen tracks including 'Yankee Hotel Foxtrot'.
Release details
DVD Region
DVD
Studio(s)
PLEXI FILM UK; PIAS UK; SONY DADC
Release date
21/06/2004
No of Discs
2
Catalogue No
PLX 007
Barcode
0082354000820
Languages
Main Language
English
Technical information
Special Features
Additional Film Footage, Exclusive Photos, Liner Notes, Film Makers Diary, 40 Page Booklet
DVD Description
A documentary produced in 2000, which chronicles a period of change in the band's fortunes as they lose their record label and two original band members. Disc two features seventeen tracks including 'Yankee Hotel Foxtrot'.
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