Seems like we're getting back on an even keel with the rating viewings now. Quite liking the new pag...
Seems like we're getting back on an even keel with the rating viewings now. Quite liking the new pages in a way. Thanks for all your rates.
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James Gray is a relative unknown in cinema. As a director, he has four films under his belt. We Own The Night is the third. As a writer, he has the same four films. It is quite a feat for someone to be the writer and director of the same film, but to do it four times over is nothing short of impressive. Joaquin Phoenix obviously thinks so. The actor has starred in three of Gray's four films: The Yards in 2000, We Own The Night in 2007, and 2008's Two Lovers, which was actually set for release in January 2009 to avoid the Christmas rush! Mark Wahlberg is also a fan, having starred in The Yards in 2000 and again in this film, We Own The Night. The acting pair mentioned take up the role of two brothers on opposite sides of the law as James Gray writes and directs a wonderful tale of the combattting of drugs smuggling in 1980s Brooklyn.
The film opens with some black and white stills of police in action in what I can only imagine is the 1980s - it is not made clear. This is accompanied by some loud but crisp and clean jazz music which sets the scene in a very sombre light. Abruptly, we are transported into a nightclub in Brooklyn in 1988, where Bobby Green (Joaquin Phoenix) is quickly presented as the man in charge, full
of confidence and charisma, the perfect manager and host, with his loyal trophy girlfriend Amada (Eva Mendes) and right hand man Jumbo (Danny Hoch). Pretty soon, we learn that Bobby has adopted his mother's maiden name as his own surname and that his brother and father are the famous crime fighting police pairing of Captain Joe (Mark Wahlberg) and Chief Bert (Robert Duvall) Grusinsky. Being part of a crime fighting family obviously isn't something you shout about when you are the manager of a nightclub run by the Russians, and while there is nothing dodgy going on as far as Bobby can tell, he'd rather keep his nose clean.
When Joe and Bert warn Bobby that something is going down on his turf, the film goes into overdrive and we are treated to a harrowing portrayal of the criminal justice system with the police shown as the weaker species as a Russian drugs trafficker uses the club to peddle his merchandise, both under Bobby's nose and with the apparent lack of knowledge of the club's owner, the above board Marat Buzhayev (Moni Moshonov). When Joe is attacked and left for dead, Bobby must rethink his life and strategy and work out exactly where his loyalties lie: with his family, or with those he has chosen as his family.
The film takes a simple plot and makes a good film out of it. The poignancy is apparent all the way through, and Gray does a good job of showing just how harrowing something such as the US witness protection programme can be. To begin with, I was not sure whether Bobby being related to Joe and Bert was a secret or not. It is something which seemed to be quite an open topic of discussion within the police station but kept on the quiet on the outside. This is only made apparent later on in the film, but in a production such as this with every character having reason for paranoia, nothing is certain.
I was impressed by the gravitas involved in the film. The scenery and soundtrack were ominous throughout, and you would be forgiven for describing this film as 'dark', for some of the content and indeed filming is rather toneless, giving the impression of colourlessness at points. The serious nature of the plot sends out a message to our modern society that relates a little to pride. The actions of Joe and Bert throughout the film, and also to others as the film progresses, including Bobby, shows that no matter the consequences, some people will do what it takes to bring criminals to justice. I was impressed also with Gray's handling of some sensitive issues, and also with Eva Mendes' acting as the girlfriend of what can only be described as a suffering man in Joaquin Phoenix's character Bobby.
This film is by no means the best I have ever seen, but it held my attention throughout. At a lengthy 2 hours, it does drag very slightly in places, but you feel this is necessary to send home the plot. Some of the performances deserve a standing ovation for their variety, particularly Phoenix and Wahlberg, and it is not surprising to find when the credits roll that the two of them were also producers for the film. The two of them have slowly but surely etched their names solidly as ones of class in cinema, and while they will rarely receive an Oscar or international public praise, their work is not to be forgotten. I highly admire these two actors, as well as the veteran Robert Duvall, and there is a good combination here that is to be applauded. The addition of Eva Mendes is also a clever move. I do not feel she has been properly tested, having had roles in the comedy Hitch and the fun action film 2 Fast 2 Furious. Here, she excels herself and is extremely convincing. Special mention must finally go to Alex Veadov, who unceremoniously plays Vadim Nezhinski. One of the most important parts of a convincing villain is the ability to make the viewer believe they are capable of anything. Veadov certainly gives this impression, and I believe he is just as worthy of praise as the rest of the cast.
In conclusion, We Own The Night is a very well written cop film, reminiscent of a classic novel involving families and the law, and what is right. Many people must stand up here to be applauded. The film does drag at times, but this is necessary, as I have already mentioned, and this is by no means enough to pull it down from its mantle of a 5 star rating from me. James Gray continues to impress me as a writer and as a director, and Phoenix and Wahlberg continue to do the same as actors, and now producers.
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