Merry Christmas guys! Start drinking because 2010 will be a very tough year.
Merry Christmas guys! Start drinking because 2010 will be a very tough year.
Member since:13.05.2008
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There's no doubt Stephen King is the king of the written horror, although not every book of his makes a good film, Tommy Knockers and Dreamcatcher to name but two. Cr**ing aliens on the toilet makes for a good movie Stephen? But when it does work you know your going to be entertained, IT, Christine and Cujo some early classics. Not a lot of people know that King wrote the Shawshank Redemption, adapted and then directed by Frank Darabont, The Mist their third collaboration, all three rather excellent movies, maybe The Green Mile the weakest of the trio.
The Mist works so well because it's classic King, all about building up the principal characters and the mystery quickly and concisely, but not lingering too long before the action and eventual threat reveals its terrifying layers. King, yet again writes a superior version of himself into the narrative here, this time the handsome square-jawed artist in a small town in Maine (Kings home state), so to control the story that way in his mind, looking at how he would react if faced with the same dangers. It's vain but an effective method that works for him and many others, Tom Clancy and Michael Crichton to name but two. I've always felt King lingers too long on that character development in his books sometimes though and that's why I prefer Dean Koontz. But a good screenplay writer can tighten that up and produce great movies, what Darabont has done here for the third time with Kings stuff.
-The Cast-
Thomas
Jane ... David Drayton Marcia Gay Harden ... Mrs. Carmody Laurie Holden ... Amanda Dumfries / Dunfrey Andre Braugher ... Brent Norton Toby Jones ... Ollie Weeks William Sadler ... Jim Jeffrey DeMunn ... Dan Miller Frances Sternhagen ... Irene Reppler Nathan Gamble ... Billy Drayton Alexa Davalos ... Sally Chris Owen ... Norm Sam Witwer ... Private Jessup Robert C. Treveiler ... Bud Brown David Jensen ... Myron
-The Mist-
Although our main protagonists is a rather hackyned cliché in the way these type of horror stories never seem to shy away from, the famous artist that lives by the lake in the big house with his family, seen as aloof to the nearby small town, we are soon into the action. A severe electrical storm has knocked out the phones and a most of the trees to go with it, one going through the artist in question, David Drayton (Thomas Jane) front window, and another on top of the Mercedes sports of his grumpy neighbour (David Jensen), the two making up from previous grievances by sharing a car into town to get supplies and repairs, the Drayton's son (Nathan Gamble) coming along for the ride, leaving David's wife Steff (Kelly Collins-Lintz) at the house.
The local supermarket is busy, the storm worse than they thought - in many ways - telecommunications in this part of the world apparently not stretching to cell phones and internet to find out what's going on, seemingly banned in horror movies because they kill off any tempo and integrity. But soon the whole town is enveloped by a mysterious mist, apparently emanating from the nearby military base where 'Operation Arrowhead' is underway, the flood sirens ominously waling as the emergency vehicles of all description race down the high street suggesting the worse is still to come.
When a local runs into the store, pouring with blood and screaming at them that something came out of the mist and attacked him, the tension is notched up a couple levels more, the ominous flood siren still howling.
So should they risk the mist to get home to their families and business or is there indeed something out there? With a good mix of blue and white-collar locals in the store the debate rages; class, race and religion the early dividing lines in the pecking order for leadership. But when it attacks the loading bay and claims its first victim the extreme threat is realised by a handful in the store, their unbelievable description of what's out there still laughed off as a fairy story by most of them. Some soon venture out but do not return, and as the body count rises and threat becomes unimaginable to the increasingly terrified masses huddled in the store, it comes down to a power-play between David's blossoming heroics and the forked religious tongue of bible basher Mrs. Carmody (Marcia Gay Harden) to decide their fete. She sees their unfolding horror as the 'End of Days', Gods judgment upon this earth, and only the Lord will save them from it if they listen to her words of guidance, which an ever increasing number do as the night darkens, so David's band of followers fewer and fewer...
-The Conclusion-
The Mist is great stuff and an excellent paced and scary tale, essentially The War of the Worlds meets Vin Diesels, Pitch Black. Apocalypse meets the fear of the dark. The cast are pretty unknown and so add authenticity so you are not distracted by which star will last the longest and so 100% into the story and menace of the growing threat, this comfortably well clear of any of that teen slasher nonsense territory where they are whacked in order of cool and looks that we get over run with these days. Like I said though the distinct lack of cell phones in these films is becoming a credibility problem.
The ending is one of the bleakest in cinema history and Darabont told King he wouldn't make the movie if it was removed as it was the whole point of the film. The bit that's tacked on after it suggests the test audiences were not in 100% agreement with Darabont and King. Mike Leigh, on the other hand, would love it!
Keeping within the Romero traditions of caging in a very normal bunch of people into one place and let the unsuspecting hero's evolve from that group, but the superior unseen horror unfolding around them to cut off their escape, this is suitably claustrophobic and entertaining. I was a little concerned with the Islamic requiem playing over that grim ending that suggested something that wasn't in the book but I'm presuming it was picked because it was powerful foreboding music so it does work in context.
The special effects are digital but work well as they are used sparingly to build the terror rather than saturate the movie with it to please gore freaks. Guys I genuinely think this is the best American horror movie I have seen for a very long time and it will hopefully set the trend for more like this. It's not so much scary but the craft and intelligence of the piece that grabs you, a rare feat indeed in this genre in America. With the Spanish film 'Rec' recently out things are looking up in a tired genre.
Production Year: 2000 - Horror - Director: Keenen Ivory Wayans - Original Language: English - Classification: 18 years and over - Starring: Carmen Electra, Anna Faris, Kurt Fuller, James Van Der Beek, Keenen Ivory Wayans