"I always keep a stimulant handy in case I see a snake - which I also keep handy" - W. C. ...
"I always keep a stimulant handy in case I see a snake - which I also keep handy" - W. C. Fields
Member since:30.08.2002
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Finally, I have managed to sit myself down in a cinema and watch "Matrix: Reloaded" I was originally planning to annoy a large number of people by seeing in while I was in New York, as it came out there just before we flew back, but I got distracted by a baseball game. When I mentioned this to TheDuke, he suggested I should have gone to watch the film, rather than the baseball game. Having now seen the film, I have to feel as if I made the right choice.
I've now waited 10 days after my original intentions to see the film, and I have to say that it really wasn't worth the wait. Sure, it looks pretty good, and there are special effects and impressive stunts all over the place. But this was also true of the first film, and this time around it all just feels a little stale.
The problem with doing a sequel to a film like "The Matrix" is that is was so ground breaking at the time, particularly with regards to the effects used, that the public expects even more this time around. But when you've created a new method of filming, and some of the most impressive fight scenes in film, how much further can you go? The answer? Over the top!
As with the recent "X-Men" sequel, this film suffers slightly from not explaining anything from the past. If you're one of apparently few people who didn't see the first film, you're going to be wondering exactly what's going on here. And while "X-Men" suggests there might be more to follow as a natural progression, "Matrix: Reloaded" takes the "Lord of the Rings" stance and tells you outright that you're not going to get an ending here.
The film begins with a bang - quite literally, in fact, as Trinity throws a motorbike onto a hut, and then beats up several security guards, before being chased through the window of a high-rise building by an agent with all guns blazing, eventually being fatally wounded. Right at the beginning, you see all the things that made "The Matrix" so good - the "bullet-time" effect on the shoot out, the big explosions and acrobatic stunts.
OK, here we go! This is what fans of "The Matrix" have come to see all over again. Except this time…it was a dream.
Suddenly we run into something that didn't really appear much in
the original film…storyline! It appears that, after Neo has defeated the system in the original film, it has started to take revenge, and has sent a quarter of a million Sentinel ships (remember those from the first film - the mechanical octopus type things?) down into the secret city of Zion to wipe out all the surviving humans in one go. Morpheus is convinced that Neo can save them all, and suggests one last trip into the Matrix to end the war in their favour once and for all. Sadly, some of his colleagues and fellow Zionites are less convinced by Neo's abilities, and Morpheus has to convince them of the right path to follow. Quite how his seemingly endless and largely unemotional speech rouses the Zionites as much as it does is beyond me, and why Zion suddenly turns into something akin to any nightclub on a Saturday night is equally as confusing.
For about an hour, we are "welcomed" into the political world of Zion, and the whole hour drags on endlessly and appears to add nothing to the film, especially for those of us who were so impressed by the action scenes from the beginning, and from the whole of the first Matrix film. I recall checking my watch at one point, and being upset to discover that we were only a half hour into the film. If it had continued in this same vein, a lot of people would be pretty disappointed.
It is only when Neo returns to the Matrix to see the Oracle again that things really start hotting up. Her "bodyguard" welcomes Neo by fighting him, ostensibly to check that he is who he says he is. Personally, I'd have asked to see his driving license, but that's not the way things are done in the world of the Matrix. It is this, plus a moment later on which provide the best action of the film, and this scene, at least in part, reminds you of the training scene is the original film between Morpheus and Neo. However, the next fight, involving Neo and 100 Agent Smith's, although wonderful to watch, just seems a little bit silly and over done. The same is true of a number of the other battles throughout the film.
The Oracle, tells Neo that he needs the Keymaker to succeed, as only he can unlock the door to the Matrix and lead Neo towards the final choice. She also provides him with the way to go and a name of someone he needs to speak to. Although being interrupted by the Agent Smiths, Neo is able to lead Trinity and Morpheus to meet this man, Merovinghian, interrupting him at dinner, but leading to some of the more amusing dialogue and, after releasing the Keymaker, one of the more promising pieces of combat with Neo against 5 of Vector's bodyguards, and a lengthy chase/combat sequence on the freeway, which are two of the most impressive sequences in this or any other film.
Although it picks up in the second half, and the story starts to latch into themes you can see following on when the "To Be Concluded" message makes an appearance at the end, the film has two major flaws.
The first of these is the acting itself. There seems to be very little emotion expressed by any of the actors throughout. Each one seems to select a single facial expression and stick to it. USA Today described Keanu Reeves as "Displaying even less emotion than body fat", which certainly appears to be true. It has been suggested that Neo is supposed to be emotionless, but I still fail to see how you can be in love and not succumb to emotion, as Neo is supposed to be with Trinity. Rumour has it that Reeves is on points, and stands to make something like $125 million from the film. Personally speaking, you'd certainly see some emotion from me if you handed me that kind of money.
Neither Laurence Fishburne as Morpheus or Carrie-Anne Moss as Trinity really crack much in the way of an expression change, either. Considering Morpheus is supposed to be fighting to get things his own way, and giving a rousing speech early in the film, his lack of emotion is surprising. The late Gloria Baker reprises her role as the Oracle well, but somehow doesn't seem as comfortable as she did in the original film. Maybe because her part is more central this time, giving direction instead of merely advice this time around.
Although not changing their features a great deal, Randall Duk Kim as the Keymaker manages to look terrified for pretty much the whole time he is on screen, which in his situation I would be as well, and Lambert Wilson sneers arrogantly as Merovinghian, and gets some of the film's best lines. His discourse on swearing in French is one of the better moments in a very weak script.
The other performance worth a special mention is Hugo Weaving as Agent Smith. Almost certainly the star of the original Matrix, his voice alone has made him recognisable throughout. He sneers his way through this film again, but still manages to get the best lines. All are delivered in a dry gravely voice, and it is a shame that the majority of his time is spent surrounded by himself, one of the sillier ideas of the film.
The other major problem with the film is that, in trying to be bigger and better than the original, they've gone too far, and some of the scenes don't look quite right. The scenes where Neo is taking on hundreds of Agent Smiths are quite good on the eye, but just look a little too crowded to be effective. There's too much going on in those scenes for you to be able to concentrate properly on the fights. The fight scenes with the fewest people actually look the more effective.
The scenes on the freeway are impressive enough as well, but some of them have gone a little too far. The idea that a car can be flipped by someone merely landing on the bonnet is a little far fetched, especially when the same person lands on the next car without any such trouble. Some of the scenes on top of the lorry seem to be showing the edges a little as well, or maybe that was just me. Some of them didn't look quite right, and I'm not the kind of person that usually spots this kind of thing.
On the minor side, the story is a weak point as well. There is a lot of new information thrown at us which is not explained to anyone's satisfaction. It is parts like these that will actually be better for the newcomer to the Matrix, as they won't be aware of how they fail to fit in. Agent Smith's ability to clone himself is not explained at all and, although we see Neo's ability to fly at the end of the first film, he has somehow developed into Superman in the interim. I realise this is supposed to be a sci-fi/fantasy type film, but suspension of disbelief can only go so far, even with a film such as this.
I realise I am very much alone in my feelings. Although most reviewers have been unkind to the film, it has been the highest grossing 15 rated (and in the US R-rated) film in history. However, you do have to wonder how many people have left the film disappointed, and this will probably be reflected in how "Matrix: Revolutions" fares in November.
Visually, there is something very special going on at various parts here. However, when you stop to think about it, this really isn't a terribly satisfying film. It is certainly suffering from the effects of having something so good to live up to, and the pressure of stretching the theory of the Matrix into a trilogy has told in that "filler" has been required. The strain of attempting to turn one of the most exciting and fun to watch films into a story is also showing, and the writing simply isn't good enough to achieve something you really care about.
Some films are so good, that you can only tarnish their memory by making a sequel. "The Blues Brothers" was one such film, and "The Matrix", sadly, appears to be another. Wait for the DVD, if you have to, and then only rent rather than to buy. If the final film in the sequence turns out to be any good, then an investment in the "Matrix Trilogy" DVD boxset, which is sure to make an appearance sometime in 2004 or so maybe worthy of investment.
How helpful would this review be to a person making a buying decision? Rating guidelines
Production Year: 2002 - Action/Adventure - Director: Vincenzo Natali - Original Language: English - Classification: 15 years and over - Starring:Lucy Liu, David Hewlett, Anne Marie Scheffler, Joseph Scoren, Matthew Sharp, Jeremy Northam
Production Year: 1964 - Action/Adventure - Director: Cyril Endfield - Original Language: English - Classification: Parental Guidance - Starring:Stanley Baker, Jack Hawkins, Ulla Jacobsson, James Booth, Michael Caine, Nigel Green
Action/Adventure - Director: Gore Verbinski - Original Language: English - Classification: 12 years and over - Starring:Bill Nighy, Keira Knightley, Johnny Depp, Geoffrey Rush, Orlando Bloom, Chow Yun-Fat
To sum up, this film is PURE PANTS! I made the mistake of getting it on DVD! I fell asleep half way through watching it because it was sooooooooooooooooo bad! Great review Iain. Steve :o)
Bodd 31.10.2003 09:17
Fell asleep in the first film and I'm glad I gave this one a miss. Great op though :) Bodd
fenerg 20.10.2003 16:21
I really like your review and your opinions are exactly like mine. I'm glad I got free tickets in a competition to watch this, rather than pay for it, I was thoroughly disappointed by this film too! The "Agent Smiths & Neo" fight looked too computer generated and far too "cartoony" near the end of the sequence. I was half expecting Bugs Bunny to crop up at one point! I was also willing Agent Smith to destroy Zion to get rid of the Wingeing, snivelling fools in the city!! I will grudgingly watch the next installment, its a shame you can't get refunds in cinemas! :-P
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exception of surprises. We see more of the "real world" in the "last human city" of Zion and we go back to the 1999-look urban virtual reality of the Matrix for m...
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The Matrix Reloadeddelivers added amounts of everything that the first film had, with the ... more
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