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Member since:08.03.2001
Reviews:254
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It’s easy to get the wrong idea. When I heard the title of this movie, I imagined it spoken in a thick Southern Californian accent – “Thu Cider House rools, dude!”. Thank the stars *that* doesn’t happen. And when I found out Michael Caine was making a comeback, I imagined him in Cock-er-nee tones, threatening people and saying “bladdy ‘ell!” Again, the stars are to be thanked. This is not a typical Caine performance (perhaps explaining the Academy Award). This is The Cider House Rules. And it does. Dude.
We first meet Caine’s character, Doctor Larch, at St Cloud’s Orphanage in Maine, New England. Larch is the head honcho at this establishment, and not only takes in strays, but (illegally) assists women with unwanted pregnancies. One day, a baby named Homer Wells catches his attention, after he is brought back by a couple for being “too quiet”. The next couple solve that problem – he cries all the time, through them beating him. Larch is not pleased, and takes Homer into his personal care, moulding him in his own image as a doctor.
By 1943, Homer is a popular fixture with the staff and children of St Clouds. He has avoided the war through having a heart defect, but the war comes to him, in a way, through World War 2 pilot Wally (Paul Rudd) and his girlfriend Candy (Charlize Theron). Homer has the itch to see the world, and convinces the pair to take him with
them to work on Wally’s parent’s apple farm. Larch is not keen to see Homer go, as he is the nearest thing he has to a son, but cannot stop him. He does, however, warn him about the nature of the world.
Homer arrives at the apple farm, and is set to work by Mr Rose (Delroy Lindo), in the company of his crew (including Heavy D!) and daughter, Rose (Erykah Badu in her first movie role). Homer makes an impression on the all-black crew by being able to read, and pick apples well. He is content in his simple life, free from the imposed role of doctor that Larch thrust upon him.
However, Homer’s life is complicated by his growing feelings for Candy, and their friendship blossoms all too quickly into something more. Larch’s warning to Homer about the way in which people behave becomes manifest, and as events around him become ever troubled, he slowly starts to realise that destiny has a way of reeling you in, no matter how hard you swim against it.
The character of Homer is played to subtle greatness by Tobey Maguire. As an inexperienced teenager experiencing life, his quiet intelligence shines through. This is, after all, a boy who has seen all manner of human tragedy, and is a case of it himself as an orphan. He deals with things in a matter of fact way, accepting but never naïve, and this is the beauty of the film. Everyone has “a use” as Larch puts it, and should stick to it. It’s just that not everyone does, and Homer tries to fix everyone up with the right mindset as he comes to terms with his own. Kind of like Cher from Clueless, only not as selfish. Or whiny. Or funny… you know what I mean.
Caine’s performance as Dr Larch is just as wonderful. He is evidently jaded by what he sees every day – people denying their own flesh and blood. He provides parentage to each and every one of the orphans, and loves them equally. But he is also mindful of them, and is careful to keep them all happy, even in the face of disappointment and tragedy. He also has an addiction to ether, which could well be the reason he manages to cope with the abortion side of his work. He likes to sustain life, not see it thrown away, and as such, he becomes more and more sullen by Homer’s leaving.
Charlize Theron is slightly typecast as the girl in a troubled situation (see: Devil’s Advocate, The Legend Of Bagger Vance, Two Days In The Valley etc.), and as such sets the screen tepid.
The supporting cast are far better – Lindo’s character being a disquieting surprise, and Badu as his daughter is excellent – it seems R’n’B stars are taking over the movies at the moment, and with portrayals like this, it’s looking good for crossover stars. There is even a turn from Malcolm In The Middle’s Erik Per Sullivan (Malcolm’s youngest brother) as Fuzzy, one of the orphans, who is a real find – I hope he manages to carry on into adulthood as a comedy actor. Paul Rudd (Romeo & Juliet) is okay, but he’s also a bit typecast as the all-American pilot who just says his lines and looks handsome. The stars are undoubtedly Maguire and Caine.
The direction by Lasse Halleström is magnificent. As subtle as the main actors’ performances, he sits back and lets the human drama unfold at its own pace – indeed the 2 hour-ish running time may put some people off. This is a film with a point to make, and Halleström wants you to pay attention and take in every character nuance. As such, the scenery takes back stage, which is a welcome change in such a period piece, though the exterior shots are great, New England mirrors the feelings of the players, and provides an emotional climax to the viewers that pay attention.
I loved this movie. It’s a quiet piece of film that pulled me in with a good blend of humour and bitter-sweetness at the beginning, and before I knew it, an hour had gone by. To me, when I lose perception of my surroundings during something, I know it’s doing its job, be it film, music or literature (or whisky!). Through action films, I sometimes find myself standing up and getting something from the kitchen. Not during this. As events unfold, you kind of anticipate that Homer’s purpose in life will find him again, but it’s the lessons he learns along the way that are important – to him and the viewer. And as his journey comes to an end, make sure you have something to wipe your eyes with – for a solid five minutes. Like a bank account, investment guarantees a return, and this pays out quite nicely.
Sunday afternoons were made for movies like this. Quietly affecting, moving and dramatic, this deserves the kind of classic status that The Shawshank Redemption earned. It acknowledges that pain in life goes hand in hand with the good things, and that life is for living and destiny can be as important as self-discovery.
Production Year: 2004 - Drama - Director: Nick Cassavetes - Original Language: English - Classification: 15 years and over, 12 years and over - Starring: Rachel McAdams, Ryan Gosling, Gena Rowlands
Production Year: 2004 - Drama - Director: John Duigan - Original Language: English - Classification: 15 years and over - Starring: Charlize Theron, Stuart Townsend, Penelope Cruz
I really like your op and can only recommend the film! Having read the book by Updike several times, long before the film was made, I went to the cinema expecting to be dissapointed (as with most books-made-into-film) and came out loving the adaption just as much as the book! And yes, Single Malts are very nice, too.
BizzyBek 22.10.2001 20:50
I'm an avid John Irving reader and have yet to see a film adaptation that truly captures the quirkiness of his book, though 'The World According to Garp' came close; as such I'll be approaching this film with trepidation but your opinion fills me with hope!
Trev15 18.10.2001 13:07
It makes no difference which character Caine is playing, he always comes across as bland Caine. Maybe it's just me ;-)
In adapting his own novelThe Cider House Rulesfor the screen, John Irving sacrificed at ... more
least some of the depth and detail that made his humanitarian themes resonate, while the film--directed with Scandinavian sobriety by Lasse Hallström--is often vagu...
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Honored with two Academy Awards... Best Supporting Actor for Michael Caine and Best ... more
Adapted Screenplay for John Irving...The Cider House Rules tells a compelling and heartwarming story about how far a young man must travel to find the place where he tr...
In adapting his own novelThe Cider House Rulesfor the screen, John Irving sacrificed at ... more
least some of the depth and detail that made his humanitarian themes resonate, while the film--directed with Scandinavian sobriety by Lasse Hallström--is often vagu...
Postage & Packaging: Free! Availability: Usually dispatched within 24 hours...
Honored with two Academy Awards - Best Supporting Actor for Michael Caine and Best Adapted ... more
Screenplay for John Irving - The Cider House Rules tells a compelling and heartwarming story about how far a young man must travel to find the place where he tru...
Postage & Packaging: £0.00 Availability: 3-5 working days