Tanguy is a French comedy about parents who are desperate to get their 28-year-old son to move out of the house. The son, Tanguy, is played by Eric Berger. I don’t see enough French films to be familiar with any of the actors here, but Berger is superb at being charming, erudite, and ... Read review
What do you do when your 28 year old son won't leave home? He leaves his washing on the ... more
floor, brings girls home all the time, treats the place like a hotel. Everytime you see him you feel sick. But you still love him. You can't ask him to leave, so wh...
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Advantages: Entertaining, really funny acting, a lot of amusing twists, suitable for most audiences who don’t mind the following: mild sadism in the humour, French language, some brief sex scenes and references Disadvantages: Some repetitions of jokes/humorous situations could have been cut, gratuitous ending sequence (but doesn’t take too long)
Tanguy is a French comedy about parents who are desperate to get their 28-year-old son to move out of the house. The son, Tanguy, is played by Eric Berger. I don’t see enough French films to be familiar with any of the actors here, but Berger is superb at being charming, erudite, and affectionate, with a permanent little smile on his face that just makes you punch his lights out. Which is the whole point – his mother (played by Sabine ... ...is a problem, but when Tanguy returns from a week away in China, the contrast between the couple´s delightful Tanguy-free holiday and the invasion of having their son back in the house again is too much for him, and Tanguy’s father is prepared to do anything – even hire thugs to rough Tanguy up – to get his son out of the house.
What I liked most about the film were the characters – implacable, immovable Tanguy ... more
Tanguy is a French comedy about parents who are desperate to get their 28-year-old son to move out of the house. The son, Tanguy, is played by Eric Berger. I don’t see enough French films to be familiar with any of the actors here, but Berger is superb at being charming, erudite, and affectionate, with a permanent little smile on his face that just makes you punch his lights out. Which is the whole point – his mother (played by Sabine Azéma) is so sick of the sight of him after twenty-eight years that she gets dry heaves every time he passes her in the house; his father (played by André Dussollier) at first denies that there is a problem, but when Tanguy returns from a week away in China, the contrast between the couple´s delightful Tanguy-free holiday and the invasion of having their son back in the house again is too much for him, and Tanguy’s father is prepared to do anything – even hire thugs to rough Tanguy up – to get his son out of the house.
What I liked most about the film were the characters – implacable, immovable Tanguy with his smirk and ready Chinese proverb; his mother, choking down nausea as she answers his ritual “I love you,”s with “I love you too” s; his father, chanting “Tanguy’s gone, Tanguy’s gone,” as he does a strip tease for his wife to celebrate Tanguy’s trip to China; and his grandmother, who calls Tanguy “the Pekinese” (because, as she says, he is affectionate and is passionate about Peking), and who delights in reminding Tanguy’s parents that she was right all along: Tanguy will NEVER leave home! And I enjoyed the way the film plays with the hypocrisy of parenthood – for me, a lot of the humour turned on the surprise of watching Tanguy’s parents increasingly violating the rules of how parents are supposed to feel, as well as how they are supposed to act. Yet, the feelings of the parents retain a level of complexity in the film which keeps it from becoming two-dimensional – Tanguy’s mother may experience a moment of giddy relief when she hears that a plane, which her son may or may not be on, has crashed on its way from China, but this emotion is immediately drowned by guilt and terror for her son and at her own reaction.
But, ultimately, this is not a “deep” film and doesn’t break any especially new ground that I can see – it is just a fun comedy to pass a pleasant couple of hours at the cinema. On the last point – I thought the film was a bit longer than necessary – jokes were taken just one repetition longer than necessary. But my rhythm may be different from other people’s – in general, when I see a comedy, I leave wishing that about 30% had been edited out. And the ending of Tanguy seemed to me a gratuitous attempt to tie everything up – on the other hand, it’s only about five minutes extra to sit through.
Advantages: funny, great acting Disadvantages: none
I watched Tanguy on DVD yesterday and I just loved it. It is definitely one of my favourite French movies. I am a huge fan of Etienne Chatillez and I just love all the films he made: La vie est un long fleuve tranquille, Tatie Danielle, Le bonheur est dans le pre (sorry I have put the French titles but I am not quite sure of the English titles).
+++ The plot:
Tanguy (Eric Berger) is 28 and still lives with his parents. If he is really happy with ... ...campaign, they meet a stonewall: Tanguy is a major specialist of traditional Chinese thought, and he faces everything with the self-control that a Chinese sage would envy. When Edith and Paul realise he doesn't want to move out they rent him a small studio but Tanguy start having panic attack and has to go to hospital. It gets so bad that he moves back in with his parents.
His father gets really fed up with him and throws him out. Tanguy decides ...
Estelle999 23.08.2004
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Ciao members have rated this review on average: helpful Review of Tanguy (DVD)
"...Excellent comedy, which balances an outrageous script with impeccable performances..." (Yahoo Movies, )
DVD Description
In this intelligent and extremely black comedy, Edith (Sabine Azema) and Paul (Andre Dussollier) are the parents of a 28-year-old PhD candidate called Tanguy (Eric Berger). A master of Chinese and Japanese language, culture, and history, Tanguy teaches classes at the university, receives highly respected research grants, and has an excellent way of communicating with people. He is graceful, reserved, expressive, and altogether a delightful young man. The only problem is that he still lives at home, and treats it like a hotel, with no plans to move out. Edith and Paul are well-to-do professionals who treat their son with respect and kindness, but their patience is wearing thin. Unable to confront him about the idea that they wish he'd move on, they concoct a hilarious plan to sour his experience of living at home. Director Etienne Chatiliez (TATIE DANIELLE) presents this excellent comedy, which balances an outrageous script with impeccable performances from Azema and Dussollier as overly polite parents who just want their little poulet (an incredibly ironic Berger) to fly the coup.