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Stray Dog (original name Nora Inu) grabs you from the moment the opening credits begin, with their distinctive background of a screen-filling close-up of a panting dog's face. A voiceover comes on to explain that it was a very hot day, and then we see a very young (and handsome!) Toshiro ... Read review
When rookie detective Murakami (Toshiro Mifune) has his pistol stolen from his pocket ... more
while on a bus, his frantic attempts to track down the thief lead him to an illegal weapons market in the Tokyo underworld. But the gun has already passed from the pi...
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Advantages: Kurosawa, Mifune, gripping story, impressive Noir direction & acting Disadvantages: None, only maybe for those who dislike subtitled films
...a result.
Stray Dog (original name Nora Inu) grabs you from the moment the opening credits begin, with their distinctive background of a screen-filling close-up of a panting dog's face. A voiceover comes on to explain that it was a very hot day, and then we see a very young (and handsome!) Toshiro Mifune standing before a man at a desk, looking sweltering and highly upset. 'Someone stole your gun?' the man asks. 'Yes, I have no excuse,' ... ...of the building and a sign telling us that this is Police Headquarters, Homicide. We learn that Mifune is Detective Murakami and that some unknown pickpocket stole his gun while on a crowded bus. He explains to the man on the desk, his lieutenant, that the gun was a Colt revolver and that there were seven bullets in it. 'Sir, I'll accept any punishment you give me', he says humbly. To our relief, the lieutenant's reply is 'Cut out all that "sir" ... more
Starring:
Toshiro Mifune as Detective Murakami Takashi Shimura as Detective Sato Keiko Awaji as Harumi Namaki Isao Kimura as Yusa
This is an impressive early film from 1949 by brilliant renowned Japanese director Akira Kurosawa, one of the first to star actor Toshiro Mifune with whom he would go on to make many more throughout the span of both their careers. As well as directing this film, he also co-wrote it, and has created a thoroughly gripping, suspenseful and immersive experience as a result.
Stray Dog (original name Nora Inu) grabs you from the moment the opening credits begin, with their distinctive background of a screen-filling close-up of a panting dog's face. A voiceover comes on to explain that it was a very hot day, and then we see a very young (and handsome!) Toshiro Mifune standing before a man at a desk, looking sweltering and highly upset. 'Someone stole your gun?' the man asks. 'Yes, I have no excuse,' Mifune replies ashamedly. We are shown an exterior shot of the building and a sign telling us that this is Police Headquarters, Homicide. We learn that Mifune is Detective Murakami and that some unknown pickpocket stole his gun while on a crowded bus. He explains to the man on the desk, his lieutenant, that the gun was a Colt revolver and that there were seven bullets in it. 'Sir, I'll accept any punishment you give me', he says humbly. To our relief, the lieutenant's reply is 'Cut out all that "sir" crap. This isn't the army.' He tells Murakami to ask the advice of the pickpocket experts in the Larceny department.
Murakami identifies a mug shot which a detective there shows him of a notorious woman pickpocket, as that of a woman standing next to him on the bus, and together they go to interview her. She, of course, proclaims her total innocence and leaves in a huff. Murakami tails her in the most unsubtle way possible - he chases her around all over town making his presence known, really obviously and in her face, everywhere she goes. This freaks her out and she finally gives in and gives him a hint: check the black market pistol dealers in the alleyways of the downtown area. But as a rookie he is out of his depth; his lieutenant tells him to partner with highly experienced Detective Sato, and together they begin their hunt.
Detectives Sato and Murakami are met with huge obstacles in finding their culprit, however, due to too much 'honour among thieves', and things take a turn for the much worse when they learn that the gun has just been used in an armed robbery. There then begins a grisly countdown as to how many bullets are left in the gun as they learn of a further shooting incident carried out with it. Murakami becomes progressively more guilt-ridden and ashamed, feeling dishonour for having allowed his gun to be stolen. Can they track down the killer before any more lives are lost?
This is one of my favourite Kurosawa films. Despite its age, it is still fresh and watchable, and highly atmospheric. The look and feel of the film is very like American film noir, with its depiction of the stark realism of the seamy underbelly of inner city society in 'the bad part of town' and its sleazy inhabitants, the tough hardboiled older cops, and in the middle of it all, the idealistic young hero out of his depth and struggling to accomplish his goal while also struggling with his shame.
The stark cinematography that sometimes borders between ultra-realism and surrealism, the powerful no-frills, almost documentary-like at times, direction, the convincing and 'natural' acting of all of the cast, all make the film seem much less dated than most of this age and holds up well today as a gripping detective story with a modern gritty feel and much human interest.
Although a bit long at two hours two minutes, I never felt it to drag or to feel slow - it gripped me from start to finish and I hardly noticed time passing as I felt so drawn into the underworld depicted and the two detectives' desperate chase to apprehend the killer.
If you are either a Kurosawa fan or a film noir fan, or just like a good gritty cop story that is a bit offbeat and different from the run of the mill, I highly recommend this. I realise that many people will be put off by it both being in black and white AND in Japanese with English subtitles, but if you can cope with this, you are in for a rewarding viewing experience.
As you may be aware, Japanese films made pre-1953 have fallen into public domain, so it is possible to download this plus other early Kurosawas from his first, Sugata Sanshiro/Judo Story (1943) through to They Who Step on Tiger's Tail (1945), Drunken Angel (1948), Rashomon (1950), and Ikuru (1952) free from public domain film websites. (Unfortunately, Seven Samurai is just a bit too late!) However, these downloads are often iffy quality, and pixellation may make it hard to read the English subtitles, so I recommend seeking out the DVD.
I am not familiar with the particular DVD depicted here, but my DVD is in crystal-clear resolution with easy-to-read subtitles, so it is definitely possible to obtain a high quality print of this film. Very worth splashing out for!
Also on dooyoo.co.uk as thereddragon and ciao.com as EsmeraldaDragon.
After a young detective has his pistol stolen it quickly passes on to a gangster and becomes the weapon used in the shooting of a woman. The detective turns to his experienced senior for guidance. Japanese dialogue.
Release details
DVD Region
DVD
Studio(s)
BFI VIDEO; PIAS UK; SONY DADC
Release date
25/03/2002
No of Discs
1
Catalogue No
BFIVD 534
Barcode
5035673005347
Languages
Main Language
Japanese
Subtitle Language
English
Technical information
Aspect Ratio
1.33 Full Screen
DVD Description
The setting for this Akira Kurosawa film noir is Tokyo in the late 1940s, its streets blasted by war and its economy in collapse. When Murakami, a young detective (Toshiro Mifune, in one of his earliest roles), loses his gun to a thief, he must descend into a hell teeming with shady characters to retrieve it. Soon Murakami's pistol turns up as the weapon in the murder of a woman, leading the guilt-ridden rookie to seek help from his senior officer, Sato (Takashi Shimura). Together Murakami and Sato must hunt down the killer before he strikes again.
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