Counting down the IMDB bottom 100 films... see my Ciao homepage for more info and a list of the film...
Counting down the IMDB bottom 100 films... see my Ciao homepage for more info and a list of the films...
Member since:20.05.2004
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Looking at the amount of praise this film has received, I felt a need to dissect what I found to be an over the top, poorly conceived and adapted, clichéd, amoral, and fairly tedious film, which completely misuses the medium of film.
Sin City is an adaptation of Frank Miller's comics (sorry, graphic novels) of the same name. It follows the stories of three people who live in the fictional town that seems to have degraded beyond redemption. Most interesting is that the entire film was shot against green screens, inserting CGI backgrounds into every shot. It is also shot mostly in black and white with the insertion of a couple of strong colours, in keeping with the comic's original drawings. The heavy use of silhouettes, shadows and first person narration give a noir feeling. It's genre could best be described as hard boiled; set amongst the criminals, with revenge and vigilante justice as central themes within a brutal and misogynistic environment.
Firstly, I will happily concede that it wasn't all bad. The highly stylized imagery translated faithfully and almost directly from the comics is impressive, once you give yourself over to it, and in places is very effective. In addition to that Mickey Rourke's performance was a show stealer, reminding me what a good actor and very strange fellow he can be. There were moments that raised a smile too, such as the Henchmen
that think they are intellectual and spout all manner of bizarre and absurd things. Even some of the endless violence grabbed my attention - although often for the wrong reasons. Unfortunately, any of these short lived moments of pleasure or interest were heavily outweighed by the negative points already mentioned.
Director Robert Rodriguez has not simply adapted Sin City from the original comics, but nearly cut and pasted them over, and made almost no changes to the script. The effect was a bold visual impression, which remained as two dimensional as the paper it was printed on. Part of this misguided relocation of style is the narration from each central character, which smothers most of the film. It may be trying to capture the inner workings of the protagonists mind as the mystery unravels, but it adds nothing to the story. Half of it is completely unnecessary description of something that has just been seen/heard or is easily deducible from the action on screen. This serves only to reduce the suspense make it impossible to immerse yourself in the story. The rest could easily have been done away with by a few simple alterations of the dialogue and scene lengths. Rodriguez seems so involved in trying to recreate the comic panel by panel that he has forgotten what sets cinema aside from other mediums. Live action can convey a page of text within a few seconds when used skilfully. Worse still, most of the dialogue is poorly written and in Bruce Willis' case poorly delivered.
As for the cast. It's an all star line up. Benicio Del Toro, Brittany Murphy, Clive Owen, Mickey Rourke, Michael Madsen, Elijah Wood. Jessica Alba, Powers Boothe, to name but a few. I can only imagine that the green screens did little to inspire the their performances, except Rourke's (making it all the more impressive), while everyone else had the charisma of a basket of wet lettuces. It's not so much the fault of the actor but the limited material they have to work with, and seemingly large limitations due to the style.
Of the characters themselves, the lines between good and evil have been blurred beyond distinction. Although the people you are expected to support are clearly signposted. The most significant difference seems to be that the bad guys enjoy committing chaotic and greedy acts of violence, whilst the good guys are driven to violence by a need for vengeance on what the bad guys have done. The violence itself is so excessive that many characters don't even react to being shot in a vaguely human manner. Namely being shot at least 5 or 6 times before even slowing down. And the sense of gratification that the protagonists feel after maiming, torturing and killing their way to a successful retribution can only be described as a glorification of violence. The comic book nature of the films obvious and impressive style only adds to a blurring of reality to an extent that torture is depicted as amusing. Unfortunately little about this film, intended or not, is actually that funny.
While it is true to say that the consequences of evil actions in this film go severely punished, that doesn't automatically make it a voice of morality. Quite the opposite. Amongst the corruption, prostitution and brutality many of the most violent acts are committed by our so-called heroes, in a world where the ends justify the means. In fact, despite any attempts to show the downfall of evil people, the film gives an overall impression of not particularly caring either way, preferring to wallow in the graphic scenes themselves. Many films have covered similar stories, with anti-heroes of equally questionable nature, however it is the total lack of a moral framework in Sin City that makes it harder to stomach. It is true to say that many other films are equally as violent and some are just as bad or worse; I admit to enjoying numerous violent horror films. However, when the violence depicted is human on human I feel there is a need for justification and consequences to be shown. Simply applying an unreal style and a few superhero attributes to your leads doesn't alter the fact that these are stories with relevance to everybody's lives. Sin City's three story format gives us hardly anytime to actually get to know the characters, let alone look at the more complex reasons for violence and abuse. And given the grand nature of some of these tales the film would have been better served by only using two of them and focusing in on more detail. This serves only to highlight it's very shallow core
Sin City is very much a child of the Tarantino generation (he even directs a portion of the film), with characters such as the intellectualising henchmen, the stylized violence, and fractured story elements. However it is very much a childish film with goals little higher than to shock and gross out it's audience. Yet expecting everybody to also revel in it. It could be described as the abused bastard child of Kill Bill. Ultimately it is as unsatisfying in terms of its simple and boring narrative as it is relentless in it's desire to be cool.
Rated: 18 Runing Time: 124 mins
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