Main specs
Actor(s): Geraldine Chaplin, Teresa Wright, Christopher Walken
Director(s): James Ivory
Genre: Drama
Classification: Parental Guidance
Production Year: 1977
Running Time: 1 hour 39 minutes
Video Category: Feature Film
Plot: At New York City’s famed Roseland Ballroom, the romantic and broken-hearted come together in a trilogy of stories. The first vignette, THE WALTZ, stars Teresa Wright as May, a widow, and Lou Jacobi as her suitor. THE HUSTLE stars Christopher Walken (in an early screen appearance) as a charming gigolo who has abandoned his hopes for dance fame in lieu of a more financially rewarding life. The third vignette, THE PEABODY stars Lilia Skala as Rosa, a woman hoping to compete in the vigorous dance, the Peabody, despite health warnings.
Release details
DVD Region: Region 2 (Europe)
Studio(s): PRISM LEISURE
Release date: 12/02/2007
No of Discs: 1
Catalogue No: ODX 20167
Barcode: 5018011201670
Producer: Ismail Merchant
Languages
Main Language: English
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DVD Description
The delightful ROSELAND is director James Ivory’s first film set within a contemporary American setting. At New York City’s famed Roseland Ballroom, the romantic and broken-hearted come together in a trilogy of stories. The first vignette, THE WALTZ, stars Teresa Wright as May, a widow, and Lou Jacobi as her suitor. THE HUSTLE stars Christopher Walken (in an early screen appearance) as a charming gigolo who has abandoned his hopes for dance fame in lieu of a more financially rewarding life. The third vignette, THE PEABODY stars Lilia Skala as Rosa, a woman hoping to compete in the vigorous dance, the Peabody, despite health warnings.
Except for a handful of exterior scenes, the entire film was shot on location inside the Roseland Ballroom; however, the filmmakers were allowed to shoot the extensive dance scenes only on Wednesday nights. Roseland wouldn’t allow any of its lights or interiors to be changed, but the scenic artists’ union demanded Merchant Ivory hire an art director and a scenic artist even though the ballroom’s stipulations made them unnecessary. Overcoming these production difficulties, ROSELAND emerges as an enjoyable tribute to both the historic New York institution and its love-seeking patrons.
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