Just now and again during the annual jamboree of movie mayhem, a little gem finds its way into the melee; a gem that needs to be cared for and revered. During 2003 that movie was Mystic River. ------------------------------------------------------------------------------
Director: Clint Eastwood Screenplay: Brian Helgeland Cert: 15 Run time: 137 mins
Main Cast: Sean Penn - Jimmy Markum Tim Robbins - Dave Boyle Kevin Bacon - Sean Devine Laurence Fishburne - Sgt. Whitey Powers Marcia Gay Harden - Celeste Boyle Laura Linney - Annabeth Markum Kevin Chapman - Val Savage Tom Guiry - Brendan Harris Emmy Rossum - Katie Markum ------------------------------------------------------------------------------
Adapted from Dennis Lehane’s novel, Mystic River is the story of 3 childhood friends who grow up to lead three very different lives. Their paths cross and seem indeterminedly linked to one gloomy episode in their joint past.
The story starts with the three main characters – Jimmy Markhum (Sean Penn), Dave Boyle (Tim Robbins) and Sean Devine (Kevin Bacon) playing in the street. A car pulls up and two paedophiles dupe Dave into getting into the car under the pretence of going to see his father for defacing wet concrete. Thereafter follows days of abuse at the hands of the seedy pair. However, Boyle escapes left with the mental scars of what happened during those fateful days.
The film fast forwards to present day and each are living out very different existences. Jimmy Markhum is happily married with children whilst Sean Devine is
a workaholic police detective dedicated to his job. Dave flits from job to job, mentally insecure and still suffering nightmares from those dark days of his childhood.
The catalyst for the story is the brutal murder of Devine’s teenage daughter. Whilst walking home late one night, it appears that she has been sexually assaulted and strangled by an unbalanced assailant. Markhum is assigned the case and when the spotlight falls on Boyle as the possible murderer, the three paths collide with catastrophic consequences.
Clint Eastwood’s progress as a director has been relentless. From the outstanding “Unforgiven” in 1992 to the more thoughtful “Bridges of Madison County” in 1995, Eastwood has turned an iconic acting career into a hugely successful one as director. More recently, the moderately successful “Space Cowboys” in 2000 showed that Eastwood has not lost his sense of humour but in Mystic River he shows a deftness that brings out the best in a fabulous cast. Often using close up shots to show the character’s expression, the pace of the movie together with the shooting on location in Boston come together to create an utterly believable and compelling story. The haunting image of Robbins looking back through the rear window as he is driven off by the paedophiles is typical of the meticulous work to follow that makes the film so stunning.
Sean Penn and Tim Robbins won Oscars for their roles whilst a string of other nominations made the movie a much heralded success. For me personally, Tim Robbins steals the show. His depiction of a tortured soul, still living the nightmare many years on is both chilling and worthy of the audience’s empathy. The visual analogy of living and escaping from wolves compounds the substantial scars left on his psyche and the emergence of the man from the physically and mentally maligned boy is played out with many a sideways glance as the adult Robbins has little confidence left to look people in the eye.
Marcia Gay Harden plays opposite him as his wife (another Oscar nomination) and the chemistry between the two is explosive. Robbin’s plunge into mental meltdown is beautifully offset by Harden’s angst at the implication of her husband in the murder. The fact that her husband returned home late on the night of the killing, covered in blood and keen to tell a number of different versions of what happened to him that night presents a thought provoking case to prove that he wasn’t involved and an issue that chips away at her conscience as Boyle’s behaviour becomes increasingly distraught.
Sean Penn’s Oscar was equally richly deserved I’m sure although his likeness to Robert De Niro both in acting style and appearance took the edge of his performance for me. Established as the local gangland boss, his is a display full of anger and violence with no small amount of prejudice that creates that cold edge to his character. His dislike of one of the local boys proves one of the movie’s biggest ironies and contributes to the film’s rapier sharp twist at the finale.
I really enjoyed Bacon’s performance too. His character is given depth by virtue of the mystery woman in the background who calls him from time to time and appears to be caring for his child. That customary calm assurance that Bacon often adopts in his film roles proves well suited to the “by the book” cop.
If that wasn’t enough we get Fishburne playing a tough, sharp detective completely oblivious to the brooding threat posed by Penn and on top of game enough to implicate the unfortunate Robbins. More renowned for his part as Morpheus in the Matrix trilogy, Fishburne proves again what a fine actor he is.
The fact that all 3 were childhood friends and are now thrust together under the umbrella of tragedy is woven together to make the viewer believe that all 3 still have strong ties. Penn’s agony is spilled out with often one-sided chats with Robbins, the audience left to believe that the sinned against is talking to the sinner. Hovering in the background is the thought that the insidious events of those fateful days in the cellar with the paedophiles could have happened to any one of the three and that feeling of guilt is never far from the surface and nags away in the background.
The shooting of the film on location in Boston lends a great deal of authenticy with the eponymous Mystic River often in the background and playing a part in some significant scenes. I’m sure there is a metaphorical significance to both the title of the film and the fact that the river flows through all three lives from starting reel to finish whilst the central tenet of the movie around burying our sins to wash them clean is reflected in the number of times the river is used to underline the symbolism of what the story is all about.
Helgeland’s screenplay was also Oscar nominated for it’s gritty realism adapted from Lehane’s novel. If I had to criticise it would be because of the running time. The first half an hour or so did plod as the movie took its time to take off and at 137 minutes it’s probably about 20 minutes too long. Notwithstanding, this is a fabulous movie full of wonderful performances and an outcome that is difficult to guess until very close to the closing frames.
I suppose comparisons are inevitable and when trying to distil the various characteristics of Mystic River, you’d have to consider elements of classic, updated gangster flicks like “Goodfellas”, the cinematography of “Road to Perdition” and a thoughtful helping of the legendary Sam Mendes. If you enjoy thrillers full of fraught tension acted out with panache and guile then this will be a movie you will relish. For me, this was the best movie of 2003.
Thanks for reading
Marandina
Mystic River is available on video and DVD. Amazon are quoting £4.99 for the video whilst the DVD retails at £10.99. It pays to shop around, of course.
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Oscar-winningMystic River, Clint Eastwood's 24th directorial outing and one of the finest films of 2003. Sharply adapted byLA ConfidentialOscar-winner Brian Helgeland from the nove...
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Superior acting, writing and direction are on impressive display in the ... more
Oscar-winningMystic River, Clint Eastwood's 24th directorial outing and one of the finest films of 2003. Sharply adapted byLA ConfidentialOscar-winner Brian Helgeland from the nove...
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Friends who grew up in working-class Boston, they drift apart after a terrible tragedy. ... more
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Advantages: An acting masterclass by the cream of the crop Disadvantages: Some ends left untied but this is also part of the fantastic unnerving feeling the film generates throughout.
audreyh 10.02.2005 (10.02.2005)
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