There isn't enough about Muse on this site. Are there any fellow Muse fans out there? Make yourselve...
There isn't enough about Muse on this site. Are there any fellow Muse fans out there? Make yourselves known...We'll start some sort of club.
Member since:30.05.2001
Reviews:93
Members who trust:113
I know originality is a precious commodity to come by these days, but I hoped that at least Spielberg would have been able to muster some and not just mimic other movies. He tried hard but there were definite touches of The Matrix, Robocop, Total Recall, The Terminator, The Fugitive and also every other Spielberg movie. I appreciate how hard it must have been to make a satisfactory adaptation of a Philip K Dick novel and I was also impressed that we didn’t simply get Blade Runner 2. Many Directors find it hard to make a futuristic film without showing off every cool idea they had and often forget to tell a story, lost in their own inventiveness. Spielberg did this a little with A.I and got carried away with the robots and his own imagination. So it is good to see that Minority Report uses its setting to good effect but does not go overboard with it and manages to be a Crime/ Sci Fi movie rather than just a Sci Fi.
When I heard that Spielberg was making another Sci Fi, I shuddered with memories of A.I still fresh in my mind. But I was relived to see that he had not attempted to make another Kubrick hybrid movie since his last attempt was such a terrible blend of Spielberg sentiment and Kubrickian coldness. And that ending… Minority Report steps refreshingly away from the surrealistic dreamscapes of A.I towards a more gritty down to earth feel and is much more of a cop movie than anything else. It still has its Sci Fi firmly in place with many fantastic landscapes and creative gadgets, but is more believable and immediate with none of the ploddy pace of A.I. Think The Fugitive meets The Matrix
meets Twelve Monkeys.
Spielberg is of course no stranger to Sci Fi (E.T, Close Encounters, Jurassic Park) but approaches it for the first time in a more imaginative way with more Verhoeven gadgets and in a less pompous and prissy way. Speaking as a teenage boy; it was just more enjoyable than his past efforts and felt as though he set out to please his audience rather than lecture them sentimentally as he did in A.I and E.T. It had the excitement necessary to attract younger thrill seeking audiences and didn’t become boring when the action stopped. Speaking as an adult; it had none of the loathsome sanctimonious crap that E.T did (sorry but the sentiment is thicker than treacle). Minority Report should attract an adult audience as well as a teenage one because it has a definite human side to it and any adult who shies away from the action packed trailers should not be fooled. It is not some dumb action cliché packed blockbuster with plenty of explosions and shootouts (actually there aren’t any at all), it has constant tension and thrills but never patronises and never sinks into standard Sci Fi set pieces. Adults who feel this is the wrong movie for them are mistaken and should remember that the Ad makers didn’t make the film and that naturally the Ad is meant to appeal to the people most likely to be taken in by the promise of Spielberg, Cruise and action; teenagers. So the film is actually totally different to what adverts would have you believe, whether you want to see the film actually depends on whether you like Thrillers and Sci Fi which are the primary ingredients.
The Cast: Tom Cruise- John Anderton Max Von Sydow- Lamar Burgess Colin Farrell- Ed Witwer Samantha Morton- Agatha
It was good to see Tom Cruise make up for Vanilla Sky and I was quite impressed with his performance as he was able to be both a believable hero and human at the same time. Only once did I not believe his grief, but mostly he was compulsively watchable and his desperation tangible. I think it was mostly thanks to Spielbergs direction that Cruise was uncommonly good and reminded me of his only other truly great performance in Magnolia. Max Von Sydow was predictably excellent as Burgess and was life like and a well rounded character. There were many little parts and familiar faces and I had a lot of fun identifying people from other films and also Haley Joel Osment’s dad who pops up.
The plot was brave enough to plunge straight into the story without a lengthy introduction leaving us to pick it up as it proceeded which was preferable to a boring beginning that would only have detracted from the overall film. It is set in 2054 in Washington where a new agency called Precrime can detect murders before they occur. Tom Cruise is the most senior detective of his kind and it is his job to make sense of the predictions of three psychics hooked up to machines and then to respond accordingly. The three psychics provide garbled visuals of crimes that will soon take place and this information is then used to locate the scene and intervene. The future criminals are then arrested and imprisoned in a huge futuristic complex on the charge of murderous intent. When a murder is predicted the names of both killer and victim are imprinted on two wooden balls that provide information along with the prophecies of the psychics. The basic plot is that Tom Cruise must go on the run to clear his name when he is unexpectedly provided with a wooden ball of his own. Since the story has strong source material the plot stands up well and is plausible and compelling.
Being a Spielberg film it is obviously more complicated than the initial premise and soon the plot becomes a tangled mass of criss crossing events. Also as it is a Spielberg film it is annoyingly drenched in the trademark hazy sunlight that always seems to invade Spielbergs films. On the plus side there is only a little sentiment which is necessary and not a repeat of the cheesiness of A.I. It has none of the coldness either that the end of A.I did and it seems that Spielberg has finally learnt to balance emotions without patronising or draining his audience. It still has the odd glitch though where the scriptwriter got his own way, such as the ludicrous sequence where Cruise chases his own eyes and where Spielberg throws in a gag for the under eights and has Cruise eating mouldy food and sour milk before spitting it out. Parts like this didn’t go well the adult tone and it was disappointing to see such a great film succumb to cheap laughs. Luckily, there are no bad points that can significantly lower the brilliance of the film which has so many great aspects and redeeming features.
The Script is excellent with no cringe worthy lines whatsoever and the cinematography is gorgeous as usual since it was done by Janusz Kaminski who did Schindler’s List. The Special Effects are beautiful and awe inspiring but not over the top and only enhance the film without drawing attention away from it. I was a little disappointed by the plotting as I managed to guess what happened at the end, it was still breathtaking and I was still thrilled, but anyone familiar with the genre should see the final twists coming, enjoyable as they are. Overall I think that Spielberg has created another work of genius to rival Jurassic Park for enjoyment and Jaws for impact and memorable images. The score fitted perfectly as ever though was not William’s best work, and the level of acting was first rate. I recommend the film to everyone as it was thoroughly enjoyable and never let up the tension being constantly exciting without numerous set pieces or lapsing into periods of tedious dialogue. I love Minority Report as much as I hate A.I, and that’s saying something.
Thanks, Willgould.
How helpful would this review be to a person making a buying decision? Rating guidelines
Production Year: 2007 - Science Fiction - Director: Francis Lawrence - Original Language: English - Classification: 15 years and over - Starring: Alice Braga, Charlie Tahan, Dash Mihok, Will Smith, Salli Richardson, Willow Smith
Production Year: 2004 - Science Fiction - Director: Alex Proyas - Original Language: English - Classification: 12 years and over - Starring: Will Smith, Bridget Moynahan, Bruce Greenwood, James Cromwell, Chi McBride, Alan Tudyk
Full of flawed characters and shot in grainy de-saturated colours, Steven ... more
Spielberg'sMinority Reportis futuristicfilm noirwith a far-fetched B-movie plot that's so feverishly presented the audience never gets a chance to ponder its many improbabilities...
Postage & Packaging: £1.21 Availability: Usually dispatched within 1-2 business days...
Full of flawed characters and shot in grainy de-saturated colours, Steven ... more
Spielberg'sMinority Reportis futuristicfilm noirwith a far-fetched B-movie plot that's so feverishly presented the audience never gets a chance to ponder its many improbabilities...
Postage & Packaging: free Super Saver Delivery Availability: Usually dispatched within 24 hours...
Superstar Tom Cruise is at his charismatic best (Sunday Mirror) in director Steven ... more
Spielberg's terrific race against time thriller (Radio Times).For six years, Washington DC has been murder-free thanks to astounding technology which identifies killers ...