Mean Girls (DVD)

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Mean Girls (DVD)

Overall rating (103): Overall user rating Mean Girls (DVD)

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Plastic fantastic

4 Jun 23rd, 2004

Advantages:
A more realistic view of high school life

Disadvantages:
We don't see enough of the ordinary people

Recommendable: Yes 

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afy9mab

About me: Why does the damned site keep logging me out when I'm trying to upload reviews?!?

Member since:11.07.2000

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Review rated by 67 Ciao members on average: very helpful

Cady Herron returns from being home-schooled in Africa to high school in Illinois. She unwittingly walks into a war zone when she is befriended by both the arty goth Janis and her camp friend Damian and the ruling clique, the Plastics. She is torn between helping Janis to unseat Regina, Queen of the Plastics and becoming one of the most popular girls in school. She soon learns that social skills are the one thing that can’t be learnt.

“Mean Girls” is based on the book “Queen Bees and Wannabes” by Rosalind Wiseman, which catalogues the seemingly endless social politics that govern school life these days. This social commentary has been cut down and made more accessible by screenwriter Tina Fey. Unsurprisingly for the former head writer of “Saturday Night Live” plenty of black comedy has been added to the mix. The result is a satisfying teen-centric flick that manages to convince as a diatribe against cliques and jockeying for popularity whilst entertaining with a dark sense of humour.

Though the world the film is set in is a heightened reality it is still recognisable as our world. For once the school portrayed isn’t rammed to the gills solely with photogenic types; there are plenty of normal and weird-looking kids too. The characters may be stereotypical in places, but they fit the criteria of the various cliques that emerge in any school. Top of the heap is a small group of girls who seem to have it all – looks, money and good-looking boyfriends. But the only way they can keep their place is by denigrating everyone around them for being too anything, whether it’s too fat, too thin, too ugly, too short or tall, too clever, too stupid, too gay, or too unfashionable. They are feared and revered in equal measure and hold ultimate sway. Every school has them, everyone hates them but wants to be them or with them and that’s the secret of their fascination. They are horrible people but we can’t help ourselves, we want to know what they’re doing all the time. And that’s what makes this film so watchable. We really want them to get their come-uppance but understand the urge to join them, no matter what the cost is. Add to that a convincing cast and a script full of cultural references, cusses and sideswipes at the characters and you have thoroughly enjoyable piece of brain candy for anyone at secondary school or anyone who’s ever been.

There are plenty of nice touches throughout the film. It opens with Cady dispelling the myths about home-schooled kids, saying they aren’t all geeks or religious fanatics. I defy you not to laugh when you see footage of a stereotypical geeky girl spelling xyloplat and a group of hillbilly kids, one of whom pronounces in a Southern drawl that “on the third day, God made the Remington 505 [rifle]”. It is an interesting literary style that is reflected in the format of the film, which is bookended by a prologue and epilogue There is also a flashback to Cady’s first crush, which is spoken entirely in Swahili and Regina’s wannabe cool mother plying the girls with drinks and proffering condoms whilst desperately following the Plastics round like a middle-aged stalker, proclaiming that “you girls keep me young”. And it’s all the funnier considering she looks like mutton dressed as J-Lo style lamb.

Lindsay Lohan is carving out quite a career for herself at the moment. Following her perky turn in “Freaky Friday” she makes a pretty, likeable lead. She plays Cady as an intelligent, level-headed girl utterly confounded by a social system that is based on whim rather than reason. But she is still desperate to be liked and accepted and this is what turns her head. Her transformation from gauche new girl to queen of mean is a believable one because it is incremental. Though she may start hanging around with the head bitches so she can plot their downfall with her social outcast friends, it easy to understand how she could be sucked into their way of life. Her language and clothes reflect her transformation. She starts out speaking standard American English, which is soon peppered with meaningless teen-speak, (calling everyone “bee-yatch” and sticking “shut up!” in the middle of sentences. She also switches from wearing jeans and shirts to barely there mini skirts and make-up by the trowel-full. Her character’s narration illustrates how her viewpoint changes. When we first see her in social situations, she comments on them in voice-over as David Attenborough might, and we see them acting as African animals. By the near-end of the film she is reduced to commenting on how people fit the Plastics’ physical ideal. As she’s the lead and is essentially a nice person, she is allowed to redeem herself by the end and never loses the audience’s sympathy.

Rachel McAdams makes the most of the role of the aptly-named Regina, Queen Plastic. She makes two-faced, bitchy, back-stabbing sluttishness an art form and is thoroughly detestable. She is an adept at manipulation, mind-games and three-way phone attacks (where one girl phones another, gets the recipient to say something nasty about a third party and then reveals the third party has been listening in the whole time). When Cady turns her acolytes against her, her revenge is cunning, brutal and cruel. Even so, when it comes, her-comeuppance is really harsh and everyone in the cinema felt it. But they still laughed…

Lacey Chabert is probably best known as Claudia from “Party of Five” and as the voice of Eliza Thornberry in “The Wild Thornberries”. Well she’s grown up since then and is almost unrecognisable as Plastic Gretchen Wieners. She is gorgeous but vapid and seems to be a career hanger-on. She is played as a girl with serious social anxiety and her comedic slide into carefully cultivated paranoia is very funny to watch, as she blurts out secret after secret about Regina. I also like the idea that her hair is big because it’s full of secrets.

The final Plastic, Karen Smith, is played by Amanda Seyfried. It is a comic turn based on the character’s stupidity. She is aware of her limitations and when asked if she has any talents, she reveals that her breasts can tell when it’s raining. I can only hope the actress is smarter than the character and can’t help wondering if she’s going to capitalise on looking like a younger version of Rose McGowan.

We don’t see as much of the social outcasts in the film as I would have liked. Janis is played with plenty of spark by Lizzy Caplan, who stomps about looking as though she has a massive chip on her shoulder at all times. She is the picture of sneering teenage angst in its rawest form. She’s also the mistress of revenge, coming up with the areas of Regina’s life that need to be tackled to destroy her and always has a handy put-down at the ready. Daniel Franzese revels in his role as Damian who’s “almost too gay to function”. He makes the most of camping it up, scaring a short, chunky girl who’s trying to get him out of the girls’ toilets by shouting “Danny DeVito! I love your work!” and running towards her. His refusal to see himself as male is the lynchpin of his character, hiding at the back of an all-girl assembly and singing falsetto at the school Christmas show. He’s a bitchy, cuddly camp stereotype, but he’s a likeable bitchy, cuddly camp stereotype.

Screenwriter Tina Fey pops up as Cady’s maths teacher, Ms Norbury. Having written the script, she’s given herself some of the best dialogue. When trying to convince Cady to join the maths team, she says of the boys in it “It would be good for them to have a girl in the team, just so they know what one looks like.” She has a nice line in dry, self-deprecating humour, but also manages to be a sympathetic role model, advising the girls not to call each other sluts and whores “because that makes it okay for guys to call you that”. Proof that not all teachers are jaded by the job.

Tim Meadows brings just the right mix of humour and authority to the role of high school principal Mr Duvall. His best scenes are those with Ms Norbury who he obviously adores and his exclamation “I didn’t leave the South Side for this!” before smashing a fire alarm with a baseball bat to break up an enormous girl fight.

The supporting cast is of very high calibre, with many of the actors seasoned comedy performers from “Saturday night Live” and various TV shows. Cady’s dad is played by Neil Flynn, the sarcastic and dangerous janitor from “Scrubs” and his confusion about what “being grounded” means is worth a chuckle. Cady’s mum is played by “Saturday Night Live” alumna Ana Gasteyer, who knows enough to let the absurdity of sending a child off to their first day of school at the age of sixteen shine through. My favourite incidental character is Kevin Gnapoor, the captain of the maths team and self-confessed “kick ass MC”, who can’t wait to rip his shirt off at any opportunity. He seems absurd, but I know so many men with the same urge.

It’s nice to see a film where the young actresses take centre stage and the men and boys are either comic relief or set-dressing. Unfortunately for the eye-candy boys, this means that their careers may not survive beyond this film. But the comedians may enjoy their taste of fame far longer.

The soundtrack is the obligatory collection of anodyne teen-friendly punk pop. There’s plenty of sanitised teen rebellion without any anti-parent rhetoric or expletives. It fits the mood of the movie well, but it’s hardly surprising. The fashions and make-up are typical of the moment affairs that will look dated in five minutes, let alone five years so this film will become a historical document of the early noughties in no time. Especially as it isn’t afraid to allude to the whole gamut of teenage experience, from underage drinking to sex. (The scenes where the PE teacher is telling everyone that if they have sex they will die are hilarious). But actions are never divorced from consequences and the bad girls have to pay for their crimes. There are also a number of really painful looking pratfalls and stunts, which have an even higher ouch factor because they look realistic. One guy gets a stereo kicked in his face and everybody in the cinema flinched, though not as much as when a character was hit by a bus.

There are only two things that concern me about this film. One is that many of the target audience of teenage girls may ignore the movie’s “live and let live” moral and use the poisonous Plastics as inspiration for their own dastardly machinations. The other is that so many of the teenage leads are played by twenty-somethings. Only Lohan is the same age as her character, so how are teenage viewers going to feel when they compare how they look to those on screen?

This is a satire on high school life that can be enjoyed by both adults and teenagers. However, I would not suggest that you let anyone under the age of twelve see this, even if it is a 12A, as some of the content will take a lot of explaining on the way home. It is also doubtful that kids under twelve would get the satire anyway. So grab your popcorn and sit back and relive the nastier parts of your schooldays.
 
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Comments about this review
aestro

aestro

05.12.2006 17:08

Loved this film, although i actually feel that school nowdays is MORE bitchy then it showed! xxx

Weemaz1990

Weemaz1990

05.09.2006 18:13

Reminded me of when I was at school, the bitchiness was in perfect proportions!

034keb

034keb

05.08.2006 18:49

Good review but a mediocre film.

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