Marnie is one of my favourite Hitchcock movies. It stars the beautiful Tippi Hedren as Marnie Edgar and the gorgeous Sean Connery as Mark Rutland, with support from Diane Baker as Lil and Louise Latham as Bernice Edgar, and was released in 1964. The script was written by Jay Presson Allen and ... Read review
Both visually and psychologically,Marnieis crass in comparison with Hitchcock's peak ... more
achievement inVertigo--although it shares some of that film's characteristic obsessive themes. Sean Connery, fresh fromFrom Russia with Love, is a Philadelphia playboy...
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The Master of Suspense, Alfred Hitchcock creates a spellbinding portrait of a disturbed ... more
woman, and the man who tries to save her, in this unrelenting psychological thriller. 'Tippi' Hedren is Marnie, a compulsive thief and liar who goes to work for Mar...
Both visually and psychologically,Marnieis crass in comparison with Hitchcock's peak ... more
achievement inVertigo--although it shares some of that film's characteristic obsessive themes. Sean Connery, fresh fromFrom Russia with Love, is a Philadelphia playboy...
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A psychological mystery thriller from the master of suspense Alfred Hitchcock. ... more
Kleptomaniac Marnie Edgar (Tippi Hedren) who moves from job to job and has a pathological fear of the colour red is caught stealing by her latest employer Mark Rutland (S...
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The Alfred Hitchcock thrillerMarniewas savaged by critics on its original release in 1964, ... more
but has since established a cult reputation. It should be pointed out, however, that its current fans are mostly university teachers who spin convoluted theories (often derived from Freudian psychoanalysis) in order to lend authority to a rather simple tale. Watch the movie and judge for yourself whether it's a profound experience or just Hitchcock scraping the bottom of the barrel. Tippi Hedren stars as the title character, a compulsive thief whosemodus operandiis to land a secretarial job, bilk her employer of thousands, then change identity (and hair tone) before proceeding to the next scam. Sean Connery plays Mark Rutland, a wealthy businessman who finds Marnie's larcenous habits strangely erotic. He marries her and gradually sniffs out a repressed childhood trauma or two.Reviewers lambasted the film for its technical shoddiness--and indeed, it's hard to ignore the ugly painted backdrop in one street scene or the crudely obvious rear-projection when Marnie goes horseback riding. Latter-day apologists have argued these effects are deliberately phoney and unrealistic, meant to portray the heroine's subconscious fantasies. While you might have a tough time swallowing that one, there is no denying that Marnie supplies plenty of ammunition for armchair shrinks. Go and figure why our light-fingered lassie flips out each time she spies the colour red or what lies behind her sexual frigidity. It is also well known that Hitchcockdeveloped a morbid crush on the leading lady and showered her with unwelcome attentions during the course of filming. Despite her ordeal (or perhaps because of it), Hedren matches the blankly unemotional performance she gave for Hitchcock inThe Birds(1963) Yet somehow her cold, mask-like beauty adds a cryptic note which is utterly appropriate to the story. Similarly, the film itself is perhaps more enjoyable to think about afterwards than when you are actually seeing it. But its very sluggishness and lack of coherence lend it a surreal, dream-like quality that's hard to forget. --Peter Matthews
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The Alfred Hitchcock thrillerMarniewas savaged by critics on its original release in 1964, ... more
but has since established a cult reputation. It should be pointed out, however, that its current fans are mostly university teachers who spin convoluted theories (often derived from Freudian psychoanalysis) in order to lend authority to a rather simple tale. Watch the movie and judge for yourself whether it's a profound experience or just Hitchcock scraping the bottom of the barrel. Tippi Hedren stars as the title character, a compulsive thief whosemodus operandiis to land a secretarial job, bilk her employer of thousands, then change identity (and hair tone) before proceeding to the next scam. Sean Connery plays Mark Rutland, a wealthy businessman who finds Marnie's larcenous habits strangely erotic. He marries her and gradually sniffs out a repressed childhood trauma or two.Reviewers lambasted the film for its technical shoddiness--and indeed, it's hard to ignore the ugly painted backdrop in one street scene or the crudely obvious rear-projection when Marnie goes horseback riding. Latter-day apologists have argued these effects are deliberately phoney and unrealistic, meant to portray the heroine's subconscious fantasies. While you might have a tough time swallowing that one, there is no denying that Marnie supplies plenty of ammunition for armchair shrinks. Go and figure why our light-fingered lassie flips out each time she spies the colour red or what lies behind her sexual frigidity. It is also well known that Hitchcock developed a morbid crush on the leading lady and showered her with unwelcome attentions during the course of filming. Despite her ordeal (or perhaps because of it), Hedren matches the blankly unemotional performance she gave for Hitchcock inThe Birds(1963) Yet somehow her cold, mask-like beauty adds a cryptic note which is utterly appropriate to the story. Similarly, the film itself is perhaps more enjoyable to think about afterwards than when you are actually seeing it. But its very sluggishness and lack of coherence lend it a surreal, dream-like quality that's hard to forget. --Peter Matthews
Postage & Packaging:free Super Saver Delivery Availability:Usually dispatched within 1-2 business days...
Thriller - Original Language: English - Classification: 15 years and over - Starring: Timothy West, Neil Morrissey, Tara Fitzgerald, Annette Crosbie, Pauline Quirke, Rob Brydon, Denise Van Outen, John Thomson, Kevin Whately, David Suchet
Production Year: 2002 - Thriller - Director: Bharat Nalluri, Rob Bailey, Andy Wilson - Original Language: English - Classification: 15 years and over - Starring: Matthew MacFadyen, Keeley Hawes, David Oyelowo, Peter Firth, Jenny Agutter, Lisa Faulkner
Advantages: one of Hitchcock's most intriguing films Disadvantages: some of the scenes are blatantly faked
Marnie is one of my favourite Hitchcock movies. It stars the beautiful Tippi Hedren as Marnie Edgar and the gorgeous Sean Connery as Mark Rutland, with support from Diane Baker as Lil and Louise Latham as Bernice Edgar, and was released in 1964. The script was written by Jay Presson Allen and the book (of the same name) from which it was inspired was written by Winston Graham. Alan Napier appears as Mark's father (remember him? He was Alfred in the ... .../>
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Marnie is a compulsive thief moving from company to company working in clerical roles and biding her time till she can access company safes and steal money. With a large part of the money she buys expensive gifts for her mother, Bernice, who doesn't seem to like her very much. Marnie gets a job at Rutland & Co unaware that the boss, an eligible widower, Mark Rutland was a customer of a previous victim of hers and has hired ... more
Marnie is one of my favourite Hitchcock movies. It stars the beautiful Tippi Hedren as Marnie Edgar and the gorgeous Sean Connery as Mark Rutland, with support from Diane Baker as Lil and Louise Latham as Bernice Edgar, and was released in 1964. The script was written by Jay Presson Allen and the book (of the same name) from which it was inspired was written by Winston Graham. Alan Napier appears as Mark's father (remember him? He was Alfred in the original TV series of Batman!)
The film runs for 130 minutes and is certified 15 due to some adult and violent scenes. The original (and extremely atmospheric) music for the film was by Bernard Herrmann.
PLOT ====
Marnie is a compulsive thief moving from company to company working in clerical roles and biding her time till she can access company safes and steal money. With a large part of the money she buys expensive gifts for her mother, Bernice, who doesn't seem to like her very much. Marnie gets a job at Rutland & Co unaware that the boss, an eligible widower, Mark Rutland was a customer of a previous victim of hers and has hired her deliberately to keep an eye on her. They start dating casually, she meets his family; including his charming father and spoilt sister-in-law and she eventually steals money from the safe, as expected. Mark Rutland catches her and blackmails her into marrying him or he'll turn her over to the police. She marries him out of fear but he doesn't realise she's frigid until after they're married.
Why does Marnie seem to hate men so much? Why is she so afraid of thunder, lightning and the colour red? Why is Mark so obsessed with possessing her mind and spirit?
MY THOUGHTS =============
Marnie is a very suspenseful film and you don't find out till the very last scene why Marnie is the way she is, although there are some clues dropped in during the film. The whole film is highly atmospheric with good use of dramatic background music for an even better all round aura of suspense.
I was surprised to read that this film was one of Hitchcock's failures, maybe so at the time of release, but I've seen it numerous times on TV and liked it so much that I bought the DVD.
I was intrigued by Rutland's obsession with Marnie right from the start. His character had studied zoology before taking over the ailing family business and seemed intent on digging into Marnie's mind wanting to continually psycho-analyse her. He seems to love her a great deal but he also wants to possess her which was slightly creepy. But I have to admit it's almost impossible to find Sean Connery creepy in this film; he really did look his best, with charisma oozing from every pore! The one greatest act of love that stands out at the start of their marriage is when he comes home with her beloved horse, Foreo, which seems to be the only thing in her life she shows any passion about. The look of love on his face is evident as she throws off her high heeled shoes and rides off bareback on her horse.
The character of Diane Baker, who plays the spoilt sister-in-law with an obvious crush on Connery's character was well cast. She portrayed to perfection a pampered heiress who openly covets her dead sister's husband. When he leaves for his honeymoon with his new bride, she plants a full on kiss on his lips whilst Marnie looks on unmoved by the scene. It's amusing that Connery's character affectionately treats her like a naughty spoilt younger sister and doesn't really scold her for trying to cause Marnie misery.
One of the plot flaws which stood out a lot for me was Marnie's fear of the colour red, except she had no issues with wearing bright red lipstick. You see shots of her freaking out when she sees red flowers at her mother's house and a red shirt on a jockey and the screen goes completely red with Marnie on screen. These were cleverly done and the effect was to make the audience feel what Marnie was feeling and it worked! We all see red too! Tippi Hedren was well cast for the role, although Grace Kelly was to have played the role originally, I can't quite imagine anyone else as effective in the role as Hedren was for me.
Other flaws which stood out greatly were when Marnie was riding her horse in several scenes, it's obvious the background is false and it really is very noticeable. It wouldn't happen in today's films I guess but it stood out like a sore thumb in an otherwise quite cleverly filmed movie.
How many of you know that Tippi Hedren's famous daughter from her first of four marriages to Peter Griffith is Melanie Griffiths? And did you know that Hitchcock fell out with Hedren towards the end of the filming of Marnie and basically stopped her career from progressing further as she did not wish to act with this hugely controlling personality?
DVD EXTRAS ===========
There's a film commentary lasting about an hour in which we hear about how Hitchcock originally wanted Grace Kelly to play Marnie but as it was to be her comeback film after marrying royalty the people of Monaco did not fancy the idea of her playing a kleptomaniac. Tippi Hedren was starring in Hitchcock's The Birds with Rod Taylor so he asked her instead and she agreed.
Jay Presson Allen wrote the script for the film after the original script writer wasn't available due to the delay in starting the film due to the lack of a leading lady and the 2nd script writer refused to write the script the way Hitchcock wanted. I can't really say what the specific part of the script was he refused to write as it would give away more of the plot but it meant that Sean Connery's character would be seen in a bad light and this wasn't a good idea for the audience to see the leading man portraying this negative behaviour. Jay Presson Allen readily wrote the script the way Hitchcock wanted and that particular scene although shocking (even though mostly implied as opposed to shown) didn't leave too bad a taste in one's mouth.
There's quite an amusing bit in the commentary when Tippi Hedren quotes a conversation she had with Hitchcock about her character having to be frigid and having to work with the stunning Sean Connery - Hitchcock said to her "Yes my dear, it's called acting!"
Diane Baker talks about her role in the film and that comparisons were made with her looks and Grace Kelly, although she said she didn't mind being compared to her. I didn't quite see the similarities myself, Baker is striking but with black hair and quite cat-like eyes. There's an interesting bit when Baker tells of how Hitchcock physically showed her the facial expression he wanted for a scene when she's eavesdropping on Mark and Marnie from an upstairs window, she said Hitchcock actually moulded her face with his fingers to make just the right expression he needed. She says "he simply shaped my face".
There's lots of narrative from various people involved in the making of this film and those who starting working on the film but never did. I was rather disappointed not to have seen Sean Connery in the documentary discussing his character as you see Tippi Hedren, Diane Baker and Louise Latham.
As well as the commentary I've discussed above, in the DVD extras there's subtitle selections as well as production photographs, an extensive library of publicity shots; some really glamourous shots of Tippi Hedren, Sean Connery and the rest of the cast as well as publicity posters.
There's also a film trailer which starts with Hitchcock saying in his unique bland way "How do you do? I'm Alfred Hitchcock and I'd like to tell you about my latest motion picture Marnie which will be coming to this theatre soon." A line that really made me laugh is when Marnie screams at the office after hearing thunder and lightning, Hitchcock says "… what would account for this strange behaviour? Has she just realised she has forgotten her umbrella?"
WHERE TO GET IT ===============
You can pick up the DVD of Marnie from Amazon for £6.97 or from selectcheaper.com for £6.04 or from dvdsource.co.uk for £6.99 or try renting it from your usual DVD rental source.
OVERALL ========
Whatever the critics said when this was released, Marnie remains one of my favourite Hitchcock movies and it gets a strong 9 out of 10 for me. As I mentioned already, I've watched it numerous times on TV and liked it well enough to buy the DVD so I can watch it when I want and not have to wait till it's repeated on terrestrial TV again!
Advantages: A much under-estimated psychological thriller Disadvantages: Quite slow-moving
...in 1976.
The plot
Marnie (played by Tippi Hedren) is a serial burglar who moves from job to job under a series of aliases. Each time she leaves, a substantial sum of money leaves with her. Then she arrives at Rutland & Co, where young Mr Rutland (Sean Connery) recognises her from a previous job she had undertaken. He is concerned by Marnie's behaviour - particularly her fear of the colour red and storms - and battles to help her, to the extent ... ...roots to Marnie's problems discovered in her childhood.
The actors
Sean Connery is fabulous as Mr Rutland. Brooding and utterly gorgeous, he is also a fabulous actor. Tippi Hedren over-acts a little (and has a pretty dreadful hairdo), but nevertheless contributes to what is a marvellous drama. Tecnical aspects
In the version that I have, there is an hour long documentary about the making of the film, which is surprisingly very interesting. The ...
sunmeilan 15.09.2005
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Advantages: Romantic, extremely well acted and made Disadvantages: A bit too long and overrated for this reviewer's taste
Anniversary Edition which was released earlier this week on Region 1 DVD, which has a cornucopia of extras. First up, we have on Disc One an audio commentary with film historian Joseph McBride and singer Marni Nixon, both of whom were recorded separately. Of the two, I preferred Nixon, who provided some truly fascinating personal history with her strained relationship with the studio system, especially with working on 1955's THE KING AND I. As for McBride, he provides some interesting comments (he seems to prefer this version over the original and discusses many of the differences between the two); however, he seems to slide more often than not on just describing what is on the screen and talking about the characters' differences. My sister would say that he is like sports commentators in that he just states the obvious in terms of the action ...
In terms of psychological power and innovative visual techniques, MARNIE ranks alongside VERTIGO and PSYCHO as one of Alfred Hitchcock's most exceptional films. This thriller, based on a best-selling novel by Wilson Graham, revolves around Marnie (Tippi Hedren), a pathological liar and compulsive thief who is befriended by her latest victim, Mark Rutland (Sean Connery). Despite his sincere love, dashing looks, and wealth, some deep-seated neurosis makes her emotionally inaccessible, causing him to search her past for an explanation. This is Connery's American film debut, and he portrays his character's fascination with Marnie with a conviction that allows the psychological turmoil of the young woman to emerge. Hedren's performance as the deeply conflicted and emotionally scarred woman walks the fine line favored by Hitchcock, balanced between an icy sexuality and emotional fragility. The director wants to show the audience Marnie's world and fears, so he uses a range of innovative visual techniques--including awkward rear projections, flashes of color, and a menacing atmosphere of storms--to convey her troubled state of mind. MARNIE is one of Hitchcock's most underrated and underappreciated films.
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