Lord of the Flies – 1963
Today, this story is probably not as powerful as it was back in 1963 when it was filmed or in 1954 when William Golding’s book was published. These days we have all become desensitised to the violence and random, meaningless killings that seem to happen on a daily ... Read review
With sharply expressive performances by its young cast, this stunning adventure explores ... more
the deep, dark corners of the human soul, as a group of adolescent castaways are thrust into am intense world where law and accountability are governed by the rules of survival.After a harrowing plane crash into the sea, a group of American military cadets finds itself marooned on a deserted island. Realising the minimal chances of being rescued, the boys band together out of fear and desperation. But as the island paradise becomes their own, competition and power struggles split them into two packs. Ralph (Balhazar Getty) leads one group and preaches civilized ingenuity and togetherness, but Jack (Chris Furrh) wants nothing of it and builds a faction of barbaric hunters who ultimately go to war with Ralph. This powerful shift in conscience transforms ordinary kids into primal killers, setting off a devastating battle of good versus evil and presenting a haunting metaphor for the savage in us all.
Production Year: 2004 - Drama - Director: Nick Cassavetes - Original Language: English - Classification: 15 years and over, 12 years and over - Starring: Rachel McAdams, Ryan Gosling, Gena Rowlands
Production Year: 2000 - Drama - Director: Giuseppe Tornatore - Original Language: Italian - Classification: 15 years and over - Starring: Monica Bellucci, Giuseppe Sulfaro, Luciano Federico, Matilde Piana
Advantages: engaging interesting story Disadvantages: Some wooden acting, editing of the film
Lord of the Flies – 1963
Today, this story is probably not as powerful as it was back in 1963 when it was filmed or in 1954 when William Golding’s book was published. These days we have all become desensitised to the violence and random, meaningless killings that seem to happen on a daily basis, especially in this day and age when children whom are only three or four years older than those depicted in the film do far worse things than ... ...well respected theatre director with Lord of the Flies being one of his first film productions. The film itself had very little budget with only Hugh Edwards (Piggy) being flown out from England, the rest being cast from English families in America.
Soon after filming started Brook decided to dispense with the script, instead allowing the children to improvise a lot on set which resulted in over 60 hours of footage that needed to ... more
Lord of the Flies – 1963
Today, this story is probably not as powerful as it was back in 1963 when it was filmed or in 1954 when William Golding’s book was published. These days we have all become desensitised to the violence and random, meaningless killings that seem to happen on a daily basis, especially in this day and age when children whom are only three or four years older than those depicted in the film do far worse things than was ever shown within the running time of this feature. It could be said however that the film was a premonition of how lousy things were to become in the early 21st century.
The film is set during an unspecified period of time where tensions about Nuclear holocaust are running high. Children are being evacuated, although they are being evacuated from the country rather than out to the country side. An interesting point to note here is that the evacuations seem to be taking children from England to America, which to me seems to be the wrong thing to do when thinking about the best ways of avoiding anything Nuclear. However all of this is a moot point as their plane crashes near a small tropical island (In the book they escape from a sinking boat) and about 30 children manage to get out of the wreckage and onto the island. None of this is seen as film footage, but more as a storyboard when the beginning credits are being shown.
The actual story begins with Piggy (Hugh Edwards) meeting up with Ralph (James Aubrey) and them finding a conch shell which they blow in order to attract the other survivors. As soon as most of the kids are together we are then introduced to Jack (Tom Chapin) and this is where the real meat of the story comes into being. The kids are stranded on this island and they have no adult supervision and so they need to learn to govern and look after themselves. They start off well enough by creating a society for themselves in which rules are used to keep everybody within an accepted framework, taken from their time at home and at school, then as time goes on this society shows signs of strain before it breaks down to the point where it cannot be retrieved and the children are forced to choose sides, to either go with Jack and his hunters or to stay with Ralph. For me it shows the very thin veil of so called civilised behaviour that covers what is essentially a savage and brutal side to humanity and how quickly that civilised mask can be discarded.
The book itself of course is much better than the film. They always are in my opinion as so much more can be put into the book but since reading it I have always been curious as to how the film would interpret the book. From what I read Peter Brook, The Director, is a well respected theatre director with Lord of the Flies being one of his first film productions. The film itself had very little budget with only Hugh Edwards (Piggy) being flown out from England, the rest being cast from English families in America.
Soon after filming started Brook decided to dispense with the script, instead allowing the children to improvise a lot on set which resulted in over 60 hours of footage that needed to be trimmed down for the 90 minute running time. This is where some of the shortcomings of the film come to the fore. As you watch the film scenes come and go and you wonder why they are there as they are never explained, or they just seem to be placed randomly to fill up a bit of time. This can feel you leaving a little confused and results in you being taken out of the story. Even my 11 year old son who watched the film with me (as I’ve loaned him the book to read) pointed out scenes that were not explained properly. Add to this that none of the kids had had any formal acting we see a lot of stiff acting which I suppose can sometimes be explained away as them being public school children but combined with the flaky editing gives the film an unpolished feel.
The comments above may seem to indicate that I did not enjoy the film. This is not the case. Given the low budget and the limited movie film experience of the director I think that he did a sterling job. With some tighter editing he may have just made that much more flowing.
Bonus Features
Not much in the way of extras on this review disk, only a Trailer and a Commentary. From what I read the Criterion release is the one to go with for extras.
Overall
A good story told relatively well; only let down a little by poor editing and some questionable acting in places. The hard hitting message that it portrayed back in 1963 is mainly lost amongst the violence shown by today’s youth but it shows a scary premonition of what we have come to expect as the norm today.
Advantages: faithful to book Disadvantages: acting
This film is an adaptation of the classic novel from William Golding. The story tells of a group of boys who crash land on an uninhabited island. At first, they can't get enough of the place, but as fear moves in, the paradise turns into a living hell. Power struggles, irrational fear, and long held prejudices all creep in to ruin the Eden paradise the boys have found. Golding's novel examines the issues of the need for rules and regulations in society; ... ...a primitive, barbaric way of life, and the film stays faithful to these themes. First off, this film is in black and white, so there's one obstacle to overcome. I say it's an obstacle, as I watched it with my class who groaned at the colour, but if you're a bit more mature it shouldn't worry you! The film stays very close to the book (unlike the one made in the 70s), and is a good way of revising the novel if you are studying it. The plot is, therefore, ...
bruffyboy 28.02.2009
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Advantages: Interesting; engaging; different from the mainstream; thought-provoking Disadvantages: A bit disappointing; fails to give as much as the book
This is a disappointing adaptation of a brilliant book.
I watched the film before I read the book, and although I was intrigued by the story, the character and the representation of human nature, I couldn't help feeling it was a bit empty - a bit void of an essential ingredient.
After reading the book, I found that the essential parts - the parts that were missing - were the characters' own inner thoughts and feelings.
The film does try to reflect ... ...flies, but it fails to conjure up the full empathy needed to make the film truly successful and a worthy match for the book.
To give the directors credit, it is a difficult book to put into film, especially with seemingly tight budget, but sadly, the film does slightly disappoint.
That's not to say it's not worth watching at all though, but I suggest you read the book first for full enjoyment. If you don't read the book first, it still makes for ...
Kenaomi 19.08.2007
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Advantages: Good story, can be saddening Disadvantages: Some bad acting, not all bad though
When I returned to college a few years ago, I was doing my English also; we had the choice between doing Kez and Lord of the Flies. So we all decided on Lord of the Flies.
As I had to do a lot of work on the book, I decided it may help me more if I watched the film also. So I borrowed this from the college library, which meant it never cost me anything to watch it.
So I settled down to watch this film, and expected it to be just as good as the book, as I was really enjoying it. I was not disappointed. So anyway on with the review.
The Plot.
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Now unlike in the book, where the boys were all evacuated from a war, these were all military boys aged between 6-12 years old. Their plane crashed on a deserted Island. The pilot was missing, so it was just the boys to look after themselves.
They all elected a leader ...
Advantages: shows one perception of the novel Disadvantages: too many errors
When I was originally told that I had to read Lord of the Flies as part of my Literature course in honesty I was dreading it... it's far too long! However I was surprisingly surprised, the book creates phenomenal imagery as well as questioning the 'civilisation' within our society. The text conveys a possible outcome of a group of young boys, ranging from about seven to fifteen, that a4re stranded on a desert island. The epic journey experiences ups and downs, as well as creating fascination and most importantly forcing the reader to question their own morals.
~~~~~~~~~SUMMARY~~~~~~~~~~~~~~
Tagline; No parents. No teachers. No rules... No mercy.
Plot Outline: Stranded on an island, a group of schoolboys degenerate into savagery
However the DVD directed by Harry Hook strips away the outstanding credibility that this text has ...
Lord Of The Flies ( 1990 United States of America )
Release details
DVD Region
DVD
Studio(s)
SECOND SIGHT FILMS LTD.; METRODOME DISTRIBUTION; SONY DADC
Languages
Main Language
English
Technical information
Special Features
Commentary bt director, producer, cinematographer and editor
Aspect Ratio
4:3 Full Frame
Sound
Dolby Digital
DVD Description
A bleak rebuke to the Rousseauvian notion of the noble savage, director Peter Brook's faithful adaptation of William Golding's 1954 novel stars James Aubrey and Tom Chapin as antagonists Ralph and Jack, respectively. When a plane carrying thirty-odd British schoolboys out of a war zone crashes on an island, all of the adults are killed. The boys organize for survival, naming Ralph as their chief, in charge of providing fire and shelter. Jack is designated to lead a group of boys to hunt the wild pigs that roam the island. Almost inevitably, as time passes, the two boys, representatives of civiliation and savagery, begin a deadly struggle for dominance. The frequently invoked image of life as a war of all against all, in which civility is merely another weapon in the battle to gain one's ends, is here given a particularly disturbing twist in being enacted by children. Brooks shot an enormous amount of footage, a documentary-style ratio of 60-1, and used non-professional actors to achieve a raw, visceral realism. The film, which features a jauntily ironic score by Raymond Leppard, succeeds completely in suggesting the chilling malignity that may lurk beneath the blandest exterior.
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