Right, I'm back, and better than ever! Oooh yes, and I'm feeling pretty pleased with myself too, on...
Right, I'm back, and better than ever! Oooh yes, and I'm feeling pretty pleased with myself too, one of my websites got a boxout all to itself in the new issue of .net magazine!
Member since:20.03.2001
Reviews:61
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Well, as many of you will know, I'm in the middle of writing my Disney series of ops. So what am I doing writing about a film that's about as far from Disney as you can get, I hear you ask. Well, I had thought about writing one about "Beauty and the Beast", then I started one on "Aladdin", but I just wasn't having any fun. So, for a change of pace I decided that I ought to write about an all action movie, full of explosions, two handed gun play and high-tech gadgetry.
The film opens in sepia-and-white, that technique which directors use to show us that what we're watching is, in fact, a flashback. It's six years ago, and Sean Archer (John Travolta - Grease, Pulp Fiction) is with his son, riding an old fashioned merry-go-round. The camera zooms back, and we see Castor Troy (Nicolas "I want to play a superhero before I die" Cage - Leaving Las Vegas, Raising Arizona) uncovering a rifle. He aims for Sean and then hesitates, not wanting to hit his son. He waits and re-aims, only shooting once the child is not in sight. Archer falls to the ground, but Castor has not killed him. By some fate, the bullet missed his heart and carried on, killing his son instantly. The look on Castor's face is clear, the killing of Archer's son was an accident, he was only after Archer himself.
We zoom forward six years, and Archer is still on Castor's tail, who it turns out is something of an international terrorist. He's still hurting from the death of his son, and will not rest until Castor is dead, or at the very least, captured. Castor's brother Pollux, (Alessandro Nivola - Love's Labours Lost, Jurassic Park 3) has just been identified paying for a charter
plane out of LA, and as Archer says, "Pollux never travels without big brother".
Switching scene to the airport, we see that Archer was right. Castor meets up with Pollux and the pair board the plane, not knowing that Archer's crack team of FBI agents is right on his tail. As the plane starts to taxi down the runway, it's suddenly surrounded by about a dozen police and FBI vehicles chasing it with sirens blazing. During an exhilarating chase down the runway, Archer shoots out one of the plane's engines, making it unable to take off and forcing it to career into a building. Cue five minutes of trademark Woo gun-play, during which several FBI agents are wounded or killed, Pollux is captured, and Castor is taken out and left in a permanent vegetative state.
Obviously, this is fantastic news for Archer, as it means that he can now devote his time to his wife (Joan Allen - Mars Attacks, Nixon) and daughter, Jamie (Dominique Swain - Lolita), instead of spending it avenging the death of his son. Of course, if things ending here, you'd feel a bit cheated, as the movie would only have been about twenty minutes long. Thankfully, it turns out that whilst he was in LA, Castor had planted a bomb designed by Pollux somewhere in the City of Angels. Pollux isn't talking, and none of Castor's cronies know anything. Things look bad. However, it turns out that the American government have plastic surgery treatments available that, frankly, boggle the mind. What they intend to do is remove Castor and Archer's faces, then put Castor's face where Archer's used to be. Of course, both men have pretty different physiques, but wouldn't you know it, that can be dealt with as well. Even Archer's voice can be changed to sound exactly like Castor's.
Archer's mission is to enter Erehwon (try reading it backwards) Prison and find out from Pollux where the bomb has been planted. The mission, of course, has to be kept top secret, as if Pollux were to find out that the man he thought was his brother was actually Archer, then he'd never talk. Archer finds out the information pretty quickly, and awaits his removal from the prison.
Unfortunately for Archer, whilst he was in the prison, Castor came out of his coma (after all, "there's nothing like having your face cut off for waking you up") and killed everyone who knew about Archer's mission. Even more unfortunately for Archer, he only did this after having himself changed to look like Archer. Realising the power of looking like Archer, Castor frees his brother, but not before having a gloat in from of the real Archer. Big mistake. Of course, Archer now has to escape from Erehwon and take out Castor once again.
"Face/Off" is in my opinion, the best of John Woo's films since he moved to Hollywood. It's his second teaming with Travolta, who he had previously directed in "Broken Arrow", and contains all the Woo Trademarks - two handed gun-play, huge explosions, doves and varying slow motion. The reason for Woo's success with his slow motion is the fact that he doesn't tell the actors when he's going to be filming in slow motion and when he's not. This means that we avoid the problem of the actors deciding that they've got to act in slow motion themselves, and we end up with some simply awe inspiring cinematography. Woo's direction is without doubt some of the most beautiful you will see, even if the subject matter isn't something that you'd normally choose to watch.
Special praise has to go to the Mike Werb and Michael Colleary, who wrote the screenplay, for their choice of character names. To the uninitiated, Castor and Pollux Troy are simply names - however to those who know a bit about Greek mythology they become rather ironic. (Before you start on my, I know that Pollux is the Romanised version of the Greek Pollydeuces, but I know Greek mythology, and that's where the Romans got them from anyway. So there.) Any way, Castor and Pollux were the twin sons of Zeus, and therefore part of the group of lesser deities. More ironic still is the fact that they were considered to be champions of men, and that Pollux was known for his speciality of boxing. Added to this is the fact that their sister was Helen of Troy, and you have rather interesting names for two of the main protagonists.
The film is also rather interesting in its main concept. Where else would you find a film in which the two main characters were both the good *and* the bad guys simultaneously? I've been racking my brains, and I can't think of one. Both Cage and Travolta has to be praised for their portrayal of each other, as once their faces have been changed, it is very easy to believe that Travolta is playing Cage playing Travolta and vice versa. Personally, I feel that Cage did a slightly better job out of the pair of them, but it's a very close thing.
Normally I'd buy the widescreen version any time that I buy a film on video, but not this time. The reason? The box that the tape came in. You see, on the front is a very groovy lenticular (hologram), that changes from Travolta's face to Cage's and back again. Unfortunately, I believe that this was a limited edition when the video first came out, so I doubt if you'll be able to get hold of this version now.
The only problem that I've had with this op is its title. I always use a quote from the film, and this normally isn't too hard, as usually there are one or two lines that really leap out at me and beg to be quoted. In "Face/Off", instead of one or two, there are hundreds. I've tried to use a few in the course of the film, but there are far far more out there. I'd love to know what everyone's favourite line from the film is.
I personally can't rate this film highly enough, so I'll finish off with what the back of the box says.
Thriller - Original Language: English - Classification: 15 years and over - Starring: Timothy West, Neil Morrissey, Tara Fitzgerald, Annette Crosbie, Pauline Quirke, Rob Brydon, Denise Van Outen, John Thomson, Kevin Whately, David Suchet
Production Year: 2002 - Thriller - Director: Bharat Nalluri, Rob Bailey, Andy Wilson - Original Language: English - Classification: 15 years and over - Starring: Matthew MacFadyen, Keeley Hawes, David Oyelowo, Peter Firth, Jenny Agutter, Lisa Faulkner
Production Year: 2002 - Thriller - Director: K.C. Bascombe - Original Language: English - Classification: 15 years and over - Starring: Jesse James, Rachel Skarsten, Charles Powell, Linda Purl, Kevin Zegars
An international terrorist for hire named Castor Troy is being relentlessly pursued by ... more
Sean Archer an FBI agent whose son Castor accidentally killed in an assassination attempt years earlier. After finally catching Troy Archer's troubles have only ju...
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Oscar. winning superstar Nicolas Cage (Con Air) and screen icon John Travolta (Pulp ... more
Fiction) battle head to head in FACE/OFF...the ultimate cat and mouse thriller directed by the world's most acclaimed action film director, John Woo! To avenge the sens...
Advantages: i personaily think that 2 out 0f 3 of these films are brilliant really worth watching Disadvantages: has to be the fact it has the film the rock