'Allo! I'm not contributing to Ciao for the time being but if you are bored / desperate / weird enou...
'Allo! I'm not contributing to Ciao for the time being but if you are bored / desperate / weird enough to wish to continue to read my ramblings, you can find me on Dooyoo under the user name plipplop. See you around! :P
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Question
How do you follow one of the greatest horror films of all time?
Answer
You don't. But if you were stupid enough to do it, you certainly wouldn't do it like this.
Four years after the events of The Exorcist, and Regan is now living in New York, where she is under the care of an eminent child psychologist, Dr Gene Tuskin. Although seemingly quite balanced, Dr Tuskin is concerned that Regan is much more vulnerable than she appears to be and is keen that the girl undergo some form of hypnotherapy to help her recover from her terrible ordeal.
In The Vatican, concerns have been raised about the death of Father Merrin - the priest who attempted to exorcise the demon from Regan's body and subsequently died from an apparent heart attack. The Church believes that Merrin was himself a satanist and in order to try and protect his reputation - and soul - one of Merrin's pupils, Father Philip Lamont, is assigned to investigate Father Merrin's death. As a first point of call, he travels to New York to see what Regan can remember about the priest's death.
Despite Dr Tuskin's concerns that Father Lamont's intervention may cause the girl further harm, Regan takes a shine to him and agrees to the hypnotherapy session provided that Father Lamont can be present. Reluctantly agreeing, Dr Tuskin introduces them to a new machine, which uses pulsating lights to hypnotise patients and helps Dr Tuskin go further into their subconscious. But when Regan goes under, it becomes clear that the demon, Pazuzu, is not so much exorcised as laying in wait. It is left to Father Lamont and Dr Tuskin to do their best to save Regan
from the demon's clutches once more.
Quite why director John Boorman agreed to take on this project, I shall never know. A dreadful script; unlikely premise; and the virtual impossible task of following one of the world's most infamous films would have been enough to put me off. Sadly, the Heretic really is a terrible film, whether taken as a standalone product, or in its capacity as a sequel.
The storyline - for what it's worth - is uninteresting, pointless and completely out of kilter with the original movie. Whereas the first film very quickly built up Regan's ordeal and centred solely on the key event (possession and exorcism) The Heretic is far messier, with characters and locations drifting around all over the place in a rather ridiculous fashion. An attempt is made to introduce us to the origins of Pazuzu, showing how Father Merrin first came into contact with the demon whilst working with natives in a remote part of Africa. Pazuzu's intentions / actions never really seemed to make much sense to me and despite the suggestion that the demon is really rather powerful, Father Merrin seems to make short work of him time and time again. Woven around the tales of Pazuzu - including a pointless follow-up visit by Father Lamont - is some ridiculous premise around locusts, blending the reality of an African locust swarm with the suggestion that Pazuzu's power comes from the wind. Hence, we are "treated" to regular aerial shots, filmed as though we are seeing things through the eyes of a locust. If it sounds ridiculous here, you should try watching the film.
Regan - same actress (Linda Blair) now four years older - is intensely irritating. The clues are there from the outset, where we see the teenager beaming cheesily as she taps away on a stage to some clinky, clunky piano music. Through the film, her stare widens, her hair gets bigger and she drifts around in one 70s frock after another, adding little or no substance to the proceedings whatsoever. The hypnotherapy session seems to create some kind of telepathic link with Father Lamont, that provides even more opportunity for her to have seizures and fits, rather like the audience, except hers are not of laughter. Regan's mother, bizarrely absent from the piece, is largely replaced by Dr Tuskin, who rubs her hands a lot and gnaws her knuckles but otherwise does very little. As usual, the priest, Father Lamont, is a troubled, brooding soul, played very capably by Richard Burton, but neither likeable nor engaging in the slightest.
The problem with The Heretic is really the attention to detail - often lacking, occasionally blatantly so. Apparently, Linda Blair (Regan) refused to wear the grotesque make-up from the first movie again, and so flashbacks of her original possession are filmed with a completely different actress, who looks absolutely nothing like her. The hypnotism / trance scenes become completely mixed up, with one character's trance quickly becoming confused with another. In the film's climactic scenes, Regan's house is virtually levelled to the ground, but it takes ages for anybody to come and see what's going on - and then suddenly the street is full! And then, mistakes aside, the general feel of the movie lacks any visual flair. The African scenes seem almost entirely comprised of poorly lit studio footage. The locusts are in it far too much and make for very uninteresting viewing. Worse still, despite being a supposed horror film, the film isn't actually very horrible at all, with only occasional gore and absolutely zero scary bits whatsoever.
This is the primary failing of the film. Whereas the first film was scary, disturbing eerie and atmospheric, The Heretic is absolutely none of these things. It plays like a television movie with limited budget and limited effects. In fact, it seems more likely that the director had limited imagination. An inexcusable omission from The Heretic is that the famous music from the original is never used in the sequel at all.
To go with what is essentially a very poor film, the region 2 DVD release has a very poor selection of extras.
An alternative opening scene is provided and it is very quickly evident why the scene was dropped. Rather than introducing the tale through story telling, a brief, rushed narrative by Father Lamont is played, feeling rather like a "Last Time on The Exorcist" resume - although it's inclusion would have at least shortened the running time.
There are two trailers - one is a full cinematic trailer that does, somehow, manage to make the film look fairly exciting, although watching it is rather like watching a 120-second edit of the film, which in itself is probably quite appealing. The other trailer, referred to as a teaser, is shorter, and plays more to the suggestion that this film will follow the original into cinema history.
There are no commentaries or behind-the-scenes feature and it feels like testament to the film's mediocrity that even now, nobody can be bothered to make any effort with it. The presentation is good - the picture quality, having been remastered, is very good and the soundtrack sounding far fresher than it actually is.
But at around two hours' running time, The Heretic certainly does not justify its existence. I persevered with the film, only because I was curious to see what happened, but it was a real chore. If you liked the original film, you'll probably hate this - and if you didn't like the original, you'll still hate this.
Pointless.
Not recommended
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Production Year: 1984 - Horror - Director: Joe Dante - Original Language: English - Classification: 15 years and over - Starring: Zach Galligan, Phoebe Cates, Hoyt Axton, Polly Holliday, Frances Lee McCain, Judge Reinhold, Corey Feldman
Production Year: 2000 - Horror - Director: Keenen Ivory Wayans - Original Language: English - Classification: 18 years and over - Starring: Carmen Electra, Anna Faris, Kurt Fuller, James Van Der Beek, Keenen Ivory Wayans
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