... In Exit Wounds, he plays a cop who is demoted to a tough precinct, only to find the place riddled with corruption, and him sticking his nose in where it doesn't belong. DMX plays a lead suspect who may or may not be involved. The action scenes are loud and frantic and come every five minutes, ... Read review
Exit Wounds: Sometimes you have to go undercover to bring justice to the law: sometimes ... more
you have to walk in the darkness to bring the truth to light. From the acclaimed producer of 'The Matrix' Joel Silver brings you action hit 'Exit Wounds'. Fifty k...
Postage & Packaging: £0.00 Availability: 3-5 working days
Exit Wounds:Steven Seagal and DMX kick it up a notch in this searing action thriller from ... more
the acclaimed producer of The Matrix, Joel Silver. Fifty kilos of heroin had disappeared from the property vaults of the toughest precinct in Detroit and no-one k...
Production Year: 2007 - Action/Adventure - Director: Paul Greengrass - Original Language: English - Classification: 12 years and over - Starring:Matt Damon, Julia Stiles, Joan Allen, Edgar Ramirez, David Strathairn, Paddy Considine, Albert Finney
Production Year: 2002 - Action/Adventure - Director: Vincenzo Natali - Original Language: English - Classification: 15 years and over - Starring:Lucy Liu, David Hewlett, Anne Marie Scheffler, Joseph Scoren, Matthew Sharp, Jeremy Northam
Production Year: 1964 - Action/Adventure - Director: Cyril Endfield - Original Language: English - Classification: Parental Guidance - Starring:Stanley Baker, Jack Hawkins, Ulla Jacobsson, James Booth, Michael Caine, Nigel Green
Advantages: Two movies for the price of one Disadvantages: They are both Steven Seagal movies
...two movies prove it. In Exit Wounds, he plays a cop who is demoted to a tough precinct, only to find the place riddled with corruption, and him sticking his nose in where it doesn't belong. DMX plays a lead suspect who may or may not be involved. The action scenes are loud and frantic and come every five minutes, although the rushing sounds of each kick make it laughable. Out For Justice, however, is a no-nonsense, ultra-violent revenge thriller ... ...friend and fellow cop. Unlike Exit Wounds, which does have some comic relief, Out For Justice does, and is just violent scene after violent scene. Character development and subplots don't exist. Maybe the makers of the Seagal films believe that his fans don not have the capacity to store these facts. Personally, I prefer my movies to have stronger stories, characters and half decent direction, not just a film where people get various body parts blown ... more
Steven Seagal has, in my mind, always been a poor man's Clint Eastwood, and these two movies prove it. In Exit Wounds, he plays a cop who is demoted to a tough precinct, only to find the place riddled with corruption, and him sticking his nose in where it doesn't belong. DMX plays a lead suspect who may or may not be involved. The action scenes are loud and frantic and come every five minutes, although the rushing sounds of each kick make it laughable. Out For Justice, however, is a no-nonsense, ultra-violent revenge thriller with Seagal playing an Italian cop with links to the mob out to find the man who killed his friend and fellow cop. Unlike Exit Wounds, which does have some comic relief, Out For Justice does, and is just violent scene after violent scene. Character development and subplots don't exist. Maybe the makers of the Seagal films believe that his fans don not have the capacity to store these facts. Personally, I prefer my movies to have stronger stories, characters and half decent direction, not just a film where people get various body parts blown off.
Two features. In 'Exit Wounds', Detroit cop Orin Byrd (Steven Seagal) plays by his own rules. He knows what's right and what's wrong, and like Clint Eastwood's Harry Callahan, he doesn't mind leaving a little destruction in his wake as long as he gets the job done. But after saving the vice president from a militia group in a high-tech bridge battle that features the requisite car explosions and plenty of fancy weaponry, he gets busted down to a low-rent neighborhood where he is soon playing crossing guard. But he has a nose for trouble, so when he begins to suspect that some of the cops in his department are getting down and dirty with drug kingpin Latrell Walker (DMX), he is ready to take action even if he has to go it alone, against the orders of his commander (Jill Hennessy). Cinematographer-turned-director Andrzej Bartkowiak ('Romeo Must Die') shows off his keen eye in 'Exit Wounds' as Seagal and DMX battle it out on the Detroit streets. The pounding hip-hop soundtrack (featuring a number of contributions from DMX and Drag-On, who also appears in the film) and fabulous stunts, keep the excitement moving at a fast pace as the corruption and the body count continues to mount. But Anthony Anderson, playing Walker's right-hand man, T.K., nearly walks away with the film, supplying comic relief even through much of the closing credits. Also includes 'Out For Justice'.
...[Bartkowiak] keeps the action mean and fast....Efficient hot-wire entertainment... (Entertainment Weekly, )
...[DMX] excels here....[Washington] brings warmth to his role....[Anderson is] a marvelous physical performer..." (Sight and Sound, )
...[DMX gives] a commendable performance..." (Total Film, )
DVD Description
Two features. In 'Exit Wounds', Detroit cop Orin Byrd (Steven Seagal) plays by his own rules. He knows what's right and what's wrong, and like Clint Eastwood's Harry Callahan, he doesn't mind leaving a little destruction in his wake as long as he gets the job done. But after saving the vice president from a militia group in a high-tech bridge battle that features the requisite car explosions and plenty of fancy weaponry, he gets busted down to a low-rent neighborhood where he is soon playing crossing guard. But he has a nose for trouble, so when he begins to suspect that some of the cops in his department are getting down and dirty with drug kingpin Latrell Walker (DMX), he is ready to take action even if he has to go it alone, against the orders of his commander (Jill Hennessy). Cinematographer-turned-director Andrzej Bartkowiak ('Romeo Must Die') shows off his keen eye in 'Exit Wounds' as Seagal and DMX battle it out on the Detroit streets. The pounding hip-hop soundtrack (featuring a number of contributions from DMX and Drag-On, who also appears in the film) and fabulous stunts, keep the excitement moving at a fast pace as the corruption and the body count continues to mount. But Anthony Anderson, playing Walker's right-hand man, T.K., nearly walks away with the film, supplying comic relief even through much of the closing credits. Also includes 'Out For Justice'.
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