'Allo! I'm not contributing to Ciao for the time being but if you are bored / desperate / weird enou...
'Allo! I'm not contributing to Ciao for the time being but if you are bored / desperate / weird enough to wish to continue to read my ramblings, you can find me on Dooyoo under the user name plipplop. See you around! :P
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Dawn of the Dead is universally lauded as the best zombie film ever to be made – indeed, some critics have hailed the film as the best horror film ever produced. I’ve always had a (somewhat morbid) fascination with horror films, and it takes a lot to impress me. Twenty-three years after the film was made I have finally seen the legendary movie – but is it any good?
The film is set at a time when the Earth has suffered an environmental catastrophe. Fossil fuels have all run out, and the world’s dependency on nuclear power has become its downfall. The Three Mile Island nuclear plant is spraying radiation into the atmosphere, and society has melted down to a state of complete bedlam. The radiation in the air has somehow managed to infect the planet’s dead bodies, and they are now all resurrected in a grim state of undeath, stalking towns and cities in their search for warm human flesh. The authorities have desperately tried to keep the gruesome denizens from wreaking havoc, but as we discover in a frantic newsroom right at the outset of the film, they are failing, and the last refuges and rescue centres are gradually falling, one by one.
Amidst the desperate events, we watch the story of four individuals – two policemen, and two news workers – who together, steal a television station’s weather helicopter, and make a bid to escape the carnage. With limited fuel and resources, the quartet is forced to take refuge in an out of town shopping mall. The centre promises them everything they could need to survive a relatively normal life – but they must first find a way to overcome the throngs of undead killers stalking the aisles – and it’s not just the zombies they have to be frightened of……
One of the difficulties that faced me when writing this review was the consideration required regarding the age of the film. The film was first released in 1978 – and over 23 years later, it should therefore come as no surprise to learn that technically the film
now looks rather dated. But age aside, is it any good as a horror film? The answer is resoundingly – No.
I will be upsetting a lot of people when I say this, but I’m afraid Dawn of the Dead bored me senseless. At just over two hours and twenty minutes’ running time (I watched the Director’s Cut) I was left feeling rather disappointed. The plot is singularly threadbare – I could see no point or purpose to what we were being shown, and whilst I would never expect a happy ending to such a story line, I felt that the film’s climax was rushed and clumsy.
What makes a good horror film for me is a good atmosphere. Creepiness can be induced just through some very small touches – indeed, I would suggest that some of the most frightening films are actually very subtle. Dawn of The Dead is completely unsubtle, and nestles itself firmly under the “Shock Tactics” section of the horror catalogue. The film is extremely violent – the only way that the zombies can be killed is by destroying their brains or severing the brain from the rest of the body. The film therefore demonstrates countless ways of despatching the wretched victims – mainly with guns, but machetes, axes, screwdrivers and hammers are all used at varying intervals as well. Viewers of a sensitive disposition would therefore find the film seriously off-putting. As far as I was concerned, the whole thing was done in such a way that the gore didn’t even look particularly realistic. A sludgy red composition was lashed around in deluges to resemble the blood spatters, but most of the scenes looked decidedly amateur and very unconvincing.
One of the more unpleasant aspects of the film is the way in which the zombies try and eat people. Right from the start, there are occasional scenes of zombies getting hold of live people and taking a chunk out of one part of their body or another. The make up and effects used are rather basic – the zombies manage to bite enormous chunks of bloody flesh away, as though they were eating a piece of cake. Nonetheless, the scenes are genuinely quite sickening – the climax of the film ends up with the most unbelievable feasting sequences that will leave only those with an extremely strong disposition unaffected.
There are many famous stills from the movie that show various gruesome faces of zombies. At the time of the film’s release, the zombies were heralded as being ground-breakingly realistic, and frightened punters were reported to be seen running out of the cinemas in hysterics. I’m afraid I simply cannot agree with this observation – most of the zombies look virtually normal, with just a bit of face colouring to give them a sickly pallor. There are a few more elaborately disfigured characters, but under scrutiny they simply look like extras from the Michael Jackson Thriller video. All of the zombies move around the screen in a ridiculous fashion. One film reviewer is quoted as saying that the zombies moved in an “eerily realistic fashion”. What rubbish! Quite aside from the fact that I doubt anyone has actually seen a real zombie, I fail to believe that the undead would always walk like they’ve just shit their knickers. A number of times I actually laughed out loud at the ridiculous movements that some of the actors employed – it was nothing short of playground acting.
To make matters worse, most of the film is set to a bizarre “supermarket muzak” soundtrack, which means that many of the most violent and serious scenes are played out to childish, jolly music, which simply doesn’t work at all. At some points, I was expecting Benny Hill to come tottering across the set – and unlike The Evil Dead, I don’t think this was intended to be tongue in cheek. The film is quite clumsily edited, with dialogue often inaudible as one scene clumsily switches to the next, and the opening scenes in the newsroom are so ridiculously chaotic that you long for them to go away.
The film relies heavily on the four lead characters to keep things moving along, and whilst none of them are particularly bad, they aren’t particularly good either – a cursory glance at their CVs proves that none of them went on to do anything particularly memorable. There is a hopeless female (played by Gaylen Ross), a smart-mouthed black guy (Ken Foree), a joker (Scott Reiniger) and a stalwart Mr Hopeless (David Emge). Together, they are a relatively convincing bunch, but characterisation is not a big part of this movie, and they are all instantly forgettable.
So is the movie all bad? To be fair, I suppose it isn’t. The apocalyptic theme of the movie is relatively interesting, and as an overall concept, the film is realistically harrowing. The sequences set in the shopping mall are all quite bizarre. All scenes were filmed overnight in a real shopping mall that the filmmakers hired for a period of four months. I have read with some amusement tales of senior citizens that arrived at the shops early, only to receive the shock of their lives as zombies were apparently eating people inside. The film also draws a very pertinent observation between the zombies in the film – and the real-life “zombies” that stalk American shopping malls. The film is strangely appealing in that you feel as though you are watching a slice of cinematic history – many films have tried to emulate the success of Dawn of the Dead, but few have succeeded. Dawn is actually one part of a trilogy, set between Night of the Living Dead (released in 1968) and Day of the Dead (released in 1985) and is generally regarded as the best of the three.
This genre of film seems to have limitless appeal, and it therefore seems highly likely that a modern-day version will soon be winging its way to the cinemas. With 21st century special effects of the current standard, Hollywood has the potential to make a really gruesome film – but will it rise to the challenge – and if it does, will we actually get to see it? From its release, Dawn of the Dead was highly chastised, with complete bans in operation in some countries and heavy editing demanded in others. In context, you can appreciate why the film was heavily criticised – the gore is exhaustive, and there are (unusually) scenes of children being murdered. There are a lot of different versions in circulation – the DVD version features the director’s cut which is almost complete (except for the child killing sequence).
Dawn of the Dead could never be described as the best horror film of all time. It may well be the best zombie movie – but then the competition isn’t great. Horror fans will surely want to see this, just to find out what all the fuss was about, but I was rather disappointed. Certainly not suitable for pre-dinner viewing….
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Great review - I watched this recently and must admit I quite enjoyed it. It wasn't at all scary mind you, though the pies-in-the-zombies-faces moments were hilarious - they definately didn't see those coming lol. You're right that it was too long though - I find a lot of films are spoilt by dragging on too long. :) tom
ikeaholic 10.06.2004 21:39
oh dear, sounds like a cheap scam of a lamb to the likes of the op, seen the newer version a wee while ago, much better I suppose even if i havent seen this one. great review anyhow, and even the extras on the Michael Jackson's video could ramble their berties better than the zombies featured in this picture. wont be giving this a try, even the cover looks naff... jess x
EMOO02 21.04.2004 10:46
Good op, but I do not think you gave the film any credit - where in places it deserves!
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