Now here is a blast from the past. What has happened? I am now 40, and found myself at a loose end, ...
Now here is a blast from the past. What has happened? I am now 40, and found myself at a loose end, so I thought I would pick up my opinionating pen again. Will pop in from time to time and write stuff.
Enjoy!
Nolly
Member since:27.04.2001
Reviews:136
Members who trust:16
Oh! How brave i must have felt, when in 1992 I went to see a horror film at the cinema for the first time. It was at the multiplex at Port Solent on the outskirts of Portsmouth. I shot along the M27 in my Austin Maestro (god, i was a real man about town, wasn't I?) and went to see Francis Ford Coppola's film 'Bram Stoker's Dracula'. as you might imagine from the title, the film purports to be a true and authentic representation of such a seminal work as the father of all gothic horror novels. Is this true, or is it a sign that in future film titles will all go along these lines? I can see it now.....
'A.A Milne's Winnie the Pooh'
'P.L Travers' Mary Poppins'
'Delia Smith's Cookery Course'
So let us look at the film and the story. I will not give too much away, but I get the impression that a fair amount of people may have an inkling of the gist of the 'Dracula' story!
The film starts in 1492, with the count and his beautiful wife, Elisabeta. The count goes off to fight against the Turks in the name of the church and returns to find that his beloved has killed herself, having been wrongly notified of her husband's death. A priest tells the count that, as she has taken her own life, she is condemned to live in purgatory and will not gain life eternal. The count is enraged and defiles the altar, sticks his sword into the cross, and lets forth a torrent of blood coming from it. He drinks of this holy blood and condemns himself to the life of the undead, as a vampire, a 'nosferatu'.
We then meet the character of Jonathan Harker, who is engaged to Mina Murray. Whilst Jonathan is trapped at the castle, the count travels to England and 'woos' Mina, as she is the spitting image of his beloved Elisabeta. She falls in love with him and, well you should know the story (and if you don't, shame on you!) let's just say the the count is finally guaranteed the chance to rest in peace.
But what of this representation. Is it good enough? Well, it would appear to me that this is a fairly faithful representation of the novel. However there have been a few liberties taken with the story, but none that are absolutely unforgivable.
The special effects, costumes and lighting are brilliant. The sense of suspense tinged with the necrophiliac lust of all that are undead is there but is not overdone, which is a rarity for a modern horror film. The one moment which sums this version up is the moment when Mina begs the Count to bite her so that she can join him as a member of the undead- he is about to, then he hesitates.... he knows that, even though he has an insatiable bloodlust, he cannot really condemn the woman that he loves to a 'life' that he knows to be an eternity of unhappiness and a real lack of peace.
So what of the acting. I feel that I should deal with each of the principals one by one....
Gary Oldman (Count Dracula), a brilliant performance, enigmatic, menacing and tinged with a sinister seductiveness.
Keanu Reeves (Jonathan Harker), miscast in my view. Not his best. Look for his ever-changing haircolour in the film.
Winona Ryder (Mina Murray), well I fancy her to bits, a very good performance.
Anthony Hopkins (Dr van Helsing), over the top. Unfortunately it seems that he is playing it a bit like a pantomime. There is a lot of heavily-laden humour, specifically spoken by the good doctor.
So what is the final rating of the film. It is a good film version of the 'Dracula' story, but i feel that, with a little bit of tweaking, it could have been a lot better.
Neil July 2004
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Production Year: 1968 - Horror - Director: George A. Romero - Original Language: English - Classification: 18 years and over - Starring: Keith Wayne, Marilyn Eastman, Judith Ridley, Russ Steiner, Kyra Schon, Judith O'Dea, Duane Jones, Karl Hardman
Advantages: strong symbolism mirroring Freudian psychoanalysis | screenplay | acting | camera | cutting Disadvantages: Bill and Ted's not so excellent side-stepping adventure in falling down a castle wall land
knight_of_the_soundtable 07.10.2005 (07.10.2005)
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Review of Bram Stoker's Dracula (DVD)
Jul 6th, 2004
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