Hey you, please log in! I am also at Dooyoo and Epinions, and variations of my reviews may also be f...
Hey you, please log in! I am also at Dooyoo and Epinions, and variations of my reviews may also be found there :P I am a home educating parent, as well as a freelance author. Wish me luck, I am attempting to learn Japanese! with my children
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The title of this film is in itself relevant. It refers to the code of conduct that an officer of the US armed forces is supposed to follow; to be both an officer and a gentleman. failure to uphold their duty as a commanding officer or failure to behave as a gentleman are both actually cause to be chastised or even decommissioned if already an officer, and in an officer candidate, a reason to be removed from officer training. As one can expect, this dual demand can put a lot of pressure on a human being, with the few coming out with distinction.
Thus it is that when young Zack Mayo decides to become a naval aviator, he has taken on a challenge. It is not only a career challenge, but quite a personal one. The son of a career naval enlisted man, who was an uninterested womanising single father, he has perhaps not had the n=best introduction into what it is to be in the navy. Nor is his temperament a help. He is aloof and seethes with an inner rage that has simmered ever since his early teens when his mother committed suicide. He is committed to the idea however, and duly goes off to Navy, arriving at officer's training camp for an intensive 13 week course. The officers training camp is the way those serving in the navy are able to be commissioned as regular officers if they did not graduate from the Naval Academy at Annapolis, and it is pretty well much a one shot deal.
There Mayo and the other young men in his group are pout through their paces by the very able but no nonsense Marine drill sergeant, Gunnery Sergeant Foley. His irascible temper and sharp tongue coupled with the harshness of the demands of the training put a heavy weight upon the minds and souls of the men under him. It is a weight they try to shake off by hanging out with local
girls and having a good time. many of these young women come from hard working but low skilled backgrounds, and live close to the poverty line. Thus we get the ever too present notion that the servicemen may be a ticket out of misery, and an officer a ride to happily ever after. This may seem implausible to much of the British public, but I have to say that sadly, it is an often true tale. US military personnel get free or mostly subsidised housing and other benefits attached to their identification cards such as free medical, discounted grocery and general shopping on bases, subsidised day care on base, education, etc. Thus, that i.d. card is often seen as a kind of golden ticket, with an officer being social standing icing on the cake. The truth of the emotional and physical wear and tear of the life and the actually low by comparison wages that cause these benefits to be offered is often overlooked, as the wages can also eclipse those of the local unskilled or unemployed workers.
Zack becomes the best of friends with a young man named Sid. Sid is from a "good" family with the usual trappings. Well educated, 2 parent family, enough money to pay the bills, he seems to be a poster boy for the ideal of a a naval officer. Zack and Sid meet two of the local young ladies, and they begin to date the girls together. The two women, Paula (Zack's girlfriend) and Lynette (Sid's girlfriend) are intent on not only bedding the boys, but to escape the dreariness of their factory work life by bagging themselves an aviator. Paula genuinely falls in love with Zack, but his cold aloofness frustrates her. Sid is madly in love with Paula, but she sees him as a means to an end, and he becomes severely unhappy over the way the romance is progressing, frustratingly sensing the truth of Paula's feelings. The climax of the resolution of this issue leads Zack to face some truths deep within, and so matures past the childish rage he has kept inside for so long. In so doing, he realises the potential that Gunnery Sergeant Foley has seen within him and he graduates. he also famously goes to give his heart, arriving on the factory floor in his dress whites to carry his beloved to their happily ever after.
This is a film of turmoil rather than happy go lucky romance Gritty and unshying, places in the film have the capacity to shock. This is not done so much for thrills, but rather to plumb the emotional depths deep within, serving to move the story along to its next phase. The scenes underscore the solitude that Zack feels, despite those around him, and how he must bridge the gap. The cast each play their parts to perfection, enhancing the mood of the storyline greatly with their performances.
Richard Gere is wonderful as the brooding Zack. I personally find this his seminal role, with his impassive face looking cold and aloof yet somehow vulnerable. Lou Gosset Jr. shines as the Gunnery Sgt, bringing a gritty realism to the training scenes and providing a wonderfully abrasive personality foil Zack's coolness. David Keith as Sid is also spot on, bring a poignant portrayal of a young man who seems to have it all, and who is so much more than just a buddy type sidekick to the lead. Debra Winger's chemistry with Gere sizzles so much onscreen that it has you reaching for the hankies at the end, and such is the realism, it comes as a surprise to learn that Gere and Winger really did not get along that well at all during the filming and had many conflicts of epic proportions. Lisa Blount does a star turn as well, bringing the core of the ensemble cast to perfection. For it is truly an ensemble cast. Though Gere's character is the main focus, none of the story could occur without any of these others and it would have been very one dimensional indeed. As it is, the actors' characterisations speak volumes past the mere dialogue, and make this film shine brightly. Now over 20 years old, it is a classic film that makes for a great Friday night at home.
The musical score itself is quite pleasant, with the soppy ballad "Up Where We Belong" being a huge hit from the soundtrack. The rest are not so overly memorable, but does what a soundtrack should in this sort of movie, namely help generate the mood for the scenes they are played in. Interestingly enough, the director hated "Up Where We belong" with a passion and wanted it cut from the film, insisting that it was a dud. The song however went on to number 1 and won music awards, and has remained a wedding, anniversary party, and karoke night mainstay ever since.
The DVD of this film is easily available from Amazon and on the high street. The release itself is in the original aspect ratio, so a widescreen televison is reccomended. The picture and sound have been remastered, but don't expect to suddenly hear this in surround sound. Being over 20 years old, it was originally done in mono, so is now in Dolby Digital mono. This means you get a nice crisp sound, but no surround sound effect. Other than having the original theatrical trailer and having several languages available as subtitles, the only other special feature the disc has is you can select to watch it dubbed into German. So, a good basic release, and priced to suit, being towards the higher price end of budget titles, retailing about £13. It is also widely available as a DVD rental, So if you have not seen this recently or at all, you can easily put this on must get list.
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Production Year: 1957 - Drama - Director: Leo McCarey - Original Language: English - Classification: Universal - Starring: Cathleen Nesbitt, Deborah Kerr, Cary Grant, Richard Denning, Neva Patterson, Fortunio Bonanova
Production Year: 2004 - Drama - Director: Nick Cassavetes - Original Language: English - Classification: 15 years and over, 12 years and over - Starring: Rachel McAdams, Ryan Gosling, Gena Rowlands
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