A MAN FOR ALL SEASONS, based on Robert Bolt's stage play, is an excellent biographical drama about the conflicts faced by Sir Thomas More (Paul Scofield) when King Henry VIII... more
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property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnema...
property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnema...
property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make the film as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint". Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worthsavouring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton, Amazon.com
property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make the film as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint". Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worthsavouring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton, Amazon.com
Production Year: 1995 - Drama - Director: Ang Lee - Original Language: English - Classification: Universal - Starring: Emma Thompson, Alan Rickman, Kate Winslet, Hugh Grant, Greg Wise, Hugh Laurie, Robert Hardy
Advantages: A great film Disadvantages: Not enough people know of it
...indeed political issues that have a burning relevance for today. It is not a comedy, nor a tragedy in the classic sense. In a word, it would seem to have little to recommend it -- however, it is one of the best film ever produced. Turning largely on the issue of personal integrity and the conflict of competing calls to faithfulness, this is a drama of the interior struggle of Sir Thomas More, Lord Chancellor of England, writ large across the political/religious ... ...(the set of Westminster Hall, a building in which I once worked) to the costuming and music, period in style and instrumentation. The director Fred Zimmermann resisted the urge to provide orchestral music as a background; indeed, through much of the film, there is no music at all, as the drama itself carries the weight of the narrative and atmosphere. The cinematographer, Ted Moore, as well as the director received Academy Awards for their work. ...
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Advantages: Great Film! Very close to the play itself. Disadvantages: Little Publicity...
A Man for All Seasons is a play by Robert Bolt showing the rise and fall of its main character, Sir Thomas More. Set in 16th century England, the play exposes many similarities between its era and ours. There are of course differences, with its strong theme of social hierarchy and the immense power harnessed by the reigning monarch, King Henry VIII. While there are still elements of these in Britain they are certainly far from apparent today.
The ... ...are many strong themes in A Man for All Seasons one of the strongest being corruption. A Man for All Seasons focuses as much on the fall of Sir Thomas More as it does on the rising of Richard Rich. In the first act, scene eight, Rich gives Cromwell information about a silver cup given to More as a bribe. Though More rids himself of the cup as soon as he realises this, Cromwell thinks he might be able to use this to his advantage. Cromwell, desperate ...
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Advantages: Hilarious, comedy at its finest Disadvantages: There aren't enough episodes!
...very first date and beyond. They’re accompanied by Susan’s age fearing best friend Sally (played by Kate Issit) and Steve’s best friend Jeff (played by Richard Coyle) an insane, sex-obsessed Welsh man who has a name for every awkward social situation and relationship issue. Richard Coyle plays him superbly and his character has the most memorable lines in the whole show. And finally, you have both their exes, Jane (played by Gina Bellman) is self-obsessed, ignorant and shallow, however completely hilarious at the same time, and lets not forget Patrick (played by Ben Miles), a man who thinks he’s God’s gift to women.
The six episodes on the season one DVD are all great, there isn’t a bad one on there. Issues from the male obsession with lesbian pornography, to the first time a couple has sex, to making a complete and utter fool out...
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A MAN FOR ALL SEASONS, based on Robert Bolt's stage play, is an excellent biographical drama about the conflicts faced by Sir Thomas More (Paul Scofield) when King Henry VIII (Robert Shaw) asks him to break with Rome and grant him a divorce. The film is a powerful, cerebral story, supported by an excellent cast that includes Orson Welles, Susannah York, John Hurt, and others. (Vanessa Redgrave, sister of star Corin Redgrave, would later participate in a well-received made-for-television remake in 1988.) The movie, directed by Fred Zinneman, was nominated for eight Academy Awards, including Best Picture, Best Director, Best Actor (Scofield), and Best (Adapted) Screenplay.
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