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A.I. - Artificial Intelligence (DVD)

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A.I. - Artificial Intelligence (DVD)

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INSULT TO INTELLIGENCE

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3 Sep 24th, 2001 

89 Ciao members have rated this review on average: very helpful

Advantages:
Great, fantastic special effects, Jude Law nice characterisation

Disadvantages:
flimsy story, slow pace, too over indulgent

Recommendable No:

Detailed rating:

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flashpointz

flashpointz

About me:

-- Well, just popped in for a coffee and hey guess what - I wrote a review! Its been a while, but I...

Member since:06.07.2000

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The new film from Steven Spielberg, A.I – Artificial Intelligence, is ‘E.T meets 2001’. Not just because of the death of Stanley Kubrick and Spielberg having to take over the project, but many aspects of this film ‘feel’ and ‘look’ familiar.

First the obvious one. Weird kid, Haley Joel Osment plays ‘David’ a revolutionary new ‘mecha’ – an extremely lifelike Robot like the millions that are on Earth in the 24th Century where this film is set. I’m very sorry, but this kid is annoying. Much like Macauley Culkin used to be. He played a very odd kid in ‘Sixth Sense’ and reprises the performance in many respects in this film.

The film’s plot is based loosely on ‘Pinocchio’. David (Osment) wants to be a REAL boy and although he’s been programmed to love, his Mummy, Monica (played by Frances O’Conner) cannot love him because she knows he’s not real. The couple who ‘adopt’ David, have another son, Martin and there is sibling rivalry between the two. Monica finds that the only thing left to do is to take David away and leave him in the wilderness – giving him tips on how not to be caught.

Then the film suddenly metamorphoses into something akin to ‘Blade Runner’, with the odd elements of ‘Mad Max’ thrown in. David is captured – along with many other ‘over the hill’ mechas, by the rednecks who put on the ‘Flesh Fair’ – some kind of oddball show/sport where humans get to see ‘machas’ ritually destroyed. Blown up, set on fire, burnt by acid – you name it….and it’s all in the name of 24th Century entertainment!. It’s here where the film hits it’s peak with the introduction of Jude Law as ‘Gigolo Joe’ – a mecha sex machine (Robbie Williams and then some!) – and a trip to ‘Rouge City’. Fantastic special effects create a cityscape not unlike that created for ‘Blade Runner’ or by Luc Bresson in the underrated ‘Fifth Element’.

We then accompany Gigolo Joe and David on a flight over a waterscape of New York, now underwater and a rather eery look at a city half destroyed. An unintentionally evocative and moving scene with the World Trade Centre Towers still in evidence. I wonder how many people will see that as some kind of prediction, when this film is evaluated in the future?

Jude Law really steals the show as his character. A cocky throwback to the Fred Astaire era. Always strutting, prancing, dancing and pouting. He’s a handsome guy – errr… machine - and doesn’t he just let you know. But he has charm, something that sadly the film, as a whole, lacks.

It is visually stunning throughout – of that there is no denying. But ultimately unsatisfying and a hellishly slowly drawn out ending. Just when you think “It’s over, How sad”, you are ‘treated’ to more. It becomes a pure indulgence as Spielberg struggles to pull the curtain down on a project that between them Kubrick and he had spent 20 years on getting to the screen.

I think this may be a film that will come to be appreciated more in years to come, but for me, having sat through this at the weekend, it is more indulgence than genius
 

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Comments about this review »

whitbybunny 01.04.2002 18:35

I loved this film which seemed to be set in three different stages didn't it? Teddy was my favourite character - what does that say?

katie.b 29.10.2001 00:36

good op. much better than mine on the same, but we are in agreement that this film did not work. shame too, i was really looking forward to it being a great hit. k

litebite 18.10.2001 21:51

I can't figure this film out. Did I like it or was it a mess? It's certainly more imaginative than most films, and deserves to be seen for that reason.

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